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The movement for civil rights in America peaked in the 1950s and 1960s; however, a closely related struggle, this time over the movement's legacy, has been heatedly engaged over the past two decades. How the civil rights movement is currently being remembered in American politics and culture―and why it matters―is the common theme of the thirteen essays in this unprecedented collection.
Memories of the movement are being created and maintained―in ways and for purposes we sometimes only vaguely perceive―through memorials, art exhibits, community celebrations, and even street names. At least fifteen civil rights movement museums have opened since 1990; Mississippi Burning, Four Little Girls, and The Long Walk Home only begin to suggest the range of film and television dramatizations of pivotal events; corporations increasingly employ movement images to sell fast food, telephones, and more; and groups from Christian conservatives to gay rights activists have claimed the civil rights mantle.
Contests over the movement's meaning are a crucial part of the continuing fight against racism and inequality. These writings look at how civil rights memories become established as fact through museum exhibits, street naming, and courtroom decisions; how our visual culture transmits the memory of the movement; how certain aspects of the movement have come to be ignored in its "official" narrative; and how other political struggles have appropriated the memory of the movement. Here is a book for anyone interested in how we collectively recall, claim, understand, and represent the past.
- Sales Rank: #784159 in Books
- Brand: Brand: University of Georgia Press
- Published on: 2006-05-01
- Released on: 2006-05-01
- Original language: English
- Number of items: 1
- Dimensions: 9.00" h x 1.10" w x 6.00" l, 1.20 pounds
- Binding: Paperback
- 408 pages
- Used Book in Good Condition
From Booklist
Public debate about how the civil rights movement should be remembered takes place in myriad ways, from naming streets after civil rights figures to the creation of memorials and museums, from depictions in movies and other cultural media to the commodification of iconic figures. Remembrances are also evident in the trials of now-old men who bombed churches and otherwise terrorized blacks and the appropriation of civil rights memories by politicians, including conservatives, to sell their political agendas. History professor Romano and African American studies professor Raiford offer a collection of essays that examines the way this tumultuous period is now remembered. The book is organized in four parts analyzing how the era is officially remembered and commemorated; the role of visual culture in representing the era; elements of the movement that have been ignored in "official" narratives; and the way the movement is used in contemporary political struggles, including the push for gay rights. Vanessa Bush
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Review
A timely and comprehensive exploration of Toni Morrison's novels to date as they relate to black masculinity, Mayberry's Can't I Love What I Criticize? is a major contribution to ongoing literary, historical, and social discussions regarding African American gender relations and the formation of community.
(W. Fitzhugh Brundage University of North Carolina, Chapel Hill)This is a very impressive collection of essays that contributes in important ways to the already strong literature on the Civil Rights Movement, and its enduring legacy, meanings, and consequences.
(Waldo E. Martin Jr. University of California Berkeley)This challenging collection offers a fundamental reframing of the 'civil rights’ struggle. By treating that struggle as the site of 'intense ideological struggle,' as one author puts it, these essays provide the questions which will allow to better understand the current historical moment as well as the past.
(Charles M. Payne Duke University)Romano and Raiford have compiled a volume that deserves a wide readership by historians and especially the public. It is a timely volume, with original, interdisciplinary research (only three of the thirteen essays have been published before) that provokes further reflection on the meaning of the Civil Rights Movement. . . . The editors have done an admirable job of compiling essays from a variety of perspectives. . . . Classes on historical methods, public history, contemporary America, and the Civil Rights Movement would especially benefit from these essays, but historians will find uses for them in other classes as well. . . . This is an excellent book and all the contributors, the press, and especially the editors deserve congratulations for bringing this work together. It is a labor well worth the time and energy that produced it.
(H-South)Timely and important . . . This collection is an important opening statement in what is sure to become a vital conversation for scholars of the civil rights movement and of American memory.
(Reviews in American History)Succeeds in showing how the memories of the civil rights movement are fiercely contested, inherently political, and deployed by different people to vastly different ends. Perhaps most importantly, it illustrates that the movement, both in terms of its legacies and its real social and political gains and shortcomings, is far from finished and still wide open to interpretation and debate.
(Register of the Kentucky Historical Society)Above all, the essays in this collection seek to highlight the relevance to contemporary politics and culture of these struggles over a 'proper' telling of the civil rights story.
(Journal of American History)Will inspire its readers to rethink the complexities of this important chapter of U.S. history and of how the story of the Civil Rights Movement is being told and retold as the actual events move further into the past.
(Southern Cultures) About the Author
Renee C. Romano is an associate professor of history and African American studies at Wesleyan University and the author of Race Mixing. Leigh Raiford is an assistant professor of African American studies at the University of California, Berkeley.
Most helpful customer reviews
5 of 7 people found the following review helpful.
From heroic icons to methods of display and memory
By Midwest Book Review
Numerous books have been written on American Civil Rights history: The Civil Rights Movement In American History differs in its blend of overview of events and how the movement is currently being remembered in American politics and culture. This dual focus offers a wider-ranging survey than most, blending memories of the movement with surveys of how it's being remembered, through museums, exhibits, film, TV and more. From heroic icons to methods of display and memory, this holds important lessons on how we incorporate culture change as a whole.
0 of 0 people found the following review helpful.
and how exactly our ‘collective memory’ can easily be shaped and perverted by those that wish for ...
By Cyn
In The Civil Rights Movement in American Memory, Renee Romano and Leigh Raiford provocatively contextualize why memorializing the Civil Rights movement can be so problematic, and how exactly our ‘collective memory’ can easily be shaped and perverted by those that wish for the civil rights movement to be de-radicalized. The Civil Rights Movement is the most recent memory that most living Americans have of the nation and its institutions being largely and publicly challenged, and thus it is ripe for appropriation.
0 of 0 people found the following review helpful.
An Interesting Anthology
By Julie Perino
The essays in this anthology are well written and provide interesting insight into America's perception and description of the Civil Rights movement in current society.
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