Minggu, 30 November 2014

## Ebook Free In Search of Brightest Africa: Reimagining the Dark Continent in American Culture, 1884-1936 (Race in the Atlantic World, 1700-1900 Ser.)

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In Search of Brightest Africa: Reimagining the Dark Continent in American Culture, 1884-1936 (Race in the Atlantic World, 1700-1900 Ser.)

In the decades between the Berlin Conference that partitioned Africa and the opening of the African Hall at the American Museum of Natural History, Americans in several fields and from many backgrounds argued that Africa had something to teach them. Jeannette Eileen Jones traces the history of the idea of Africa with an eye to recovering the emergence of a belief in “Brightest Africa”―a tradition that runs through American cultural and intellectual history with equal force to its “Dark Continent” counterpart.

Jones skillfully weaves disparate strands of turn-of-the-century society and culture to expose a vivid trend of cultural engagement that involved both critique and activism. Filmmakers spoke out against the depiction of “savage” Africa in the mass media while also initiating a countertradition of ethnographic documentaries. Early environmentalists celebrated Africa as a pristine continent while lamenting that its unsullied landscape was “vanishing.” New Negro political thinkers also wanted to “save” Africa but saw its fragility in terms of imperiled human promise. Jones illuminates both the optimism about Africa underlying these concerns and the racist and colonial interests these agents often nevertheless served. The book contributes to a growing literature on the ongoing role of global exchange in shaping the African American experience as well as debates about the cultural place of Africa in American thought.

  • Sales Rank: #5240907 in Books
  • Brand: Brand: University of Georgia Press
  • Published on: 2010-07-15
  • Released on: 2010-07-15
  • Original language: English
  • Number of items: 1
  • Dimensions: 9.00" h x .88" w x 6.00" l, 1.35 pounds
  • Binding: Hardcover
  • 260 pages
Features
  • ISBN13: 9780820333205
  • Condition: New
  • Notes: BRAND NEW FROM PUBLISHER! 100% Satisfaction Guarantee. Tracking provided on most orders. Buy with Confidence! Millions of books sold!

Review

Written in a lively and convincing style, In Search of Brightest Africa offers significant new insights derived from a close reading of primary materials. It will unquestionably be a major contribution to the study of African identity in America.

(Graham Hodges author of Root and Branch: African Americans in New York and East Jersey, 1613–1863)

With elegant prose, analytic precision, and archival depth, In Search of Brightest Africa forcefully pushes us beyond the enduring image of the Dark Continent. Jones persuasively demonstrates how little-known images and ideas about a ‘Brightest Africa’ were central to the American imagination as the country was making itself over as modern. The stories here of naturalists and environmentalists, Pan-Africanists and anti-imperialists, also tell us why Africa stays on our mind not just as a record of imperial pasts but also as a haunting yet hopeful recognition of possible global futures.

(Davarian L. Baldwin author of Chicago’s New Negroes)

This study is a novel discussion of representations of Africa in the early twentieth century, and, if the thesis defended may seem surprising at first sight, the book convincingly makes its point and is a very good work of cultural history.

(American Historical Review)

[T]here is much to commend in Jones’s book. . . .[She] has accomplished an important project for the intellectual history of African Americans.

(Lamin Sanneh Journal of American History)

About the Author
Jeannette Eileen Jones is an associate professor of history and ethnic studies at the University of Nebraska, Lincoln.

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** Free PDF Empowering Words: Outsiders and Authorship in Early America, by Karen Weyler

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Empowering Words: Outsiders and Authorship in Early America, by Karen Weyler

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Empowering Words: Outsiders and Authorship in Early America, by Karen Weyler

Standing outside elite or even middling circles, outsiders who were marginalized by limitations on their freedom and their need to labor for a living had a unique grasp on the profoundly social nature of print and its power to influence public opinion. In Empowering Words, Karen A. Weyler explores how outsiders used ephemeral formats such as broadsides, pamphlets, and newspapers to publish poetry, captivity narratives, formal addresses, and other genres with wide appeal in early America.

To gain access to print, outsiders collaborated with amanuenses and editors, inserted their stories into popular genres and cheap media, tapped into existing social and religious networks, and sought sponsors and patrons. They wrote individually, collaboratively, and even corporately, but writing for them was almost always an act of connection. Disparate levels of literacy did not necessarily entail subordination on the part of the lessliterate collaborator. Even the minimally literate and the illiterate understood the potential for print to be life changing, and outsiders shrewdly employed strategies to assert themselves within collaborative dynamics.

Empowering Words covers an array of outsiders including artisans; the minimally literate; the poor, indentured, or enslaved; and racial minorities. By focusing not only on New England, the traditional stronghold of early American literacy, but also on southern towns such as Williamsburg and Charleston, Weyler limns a more expansive map of early American authorship.

  • Sales Rank: #2450200 in Books
  • Brand: Brand: University of Georgia Press
  • Published on: 2013-04-01
  • Released on: 2013-04-01
  • Original language: English
  • Number of items: 1
  • Dimensions: 9.00" h x .60" w x 6.00" l, .75 pounds
  • Binding: Paperback
  • 328 pages
Features
  • Used Book in Good Condition

Review

Ranging in coverage from the canonical Phillis Wheatley to now-obscure artisans, Weyler demonstrates the many ways nonelite authors gained access to print to create public identities at the end of the eighteenth and the beginning of the nineteenth centuries. Empowering Words compels us to expand our definitions of agency, authorship, literacy, and literature to encompass the unlikely men and women who populated the world of print in early America.

(Vincent Carretta author of Phillis Wheatley: Biography of a Genius in Bondage)

Weyler's book delves deeply into literary and cultural studies as these intersect with the study of scribal and print history-all in an effort to uncover the methods used by cultural outsiders to access the literary cultural marketplace and find multiple audiences for their work. Her study provides us a fascinating glimpse of the cultural negotiations and renegotiations taking place during the eras of the American Revolution and the early Republic.

(Carla Mulford founding president of the Society of Early Americanists)

Using an innovative and persuasive approach, as well as much new material, Empowering Words reveals that slaves, women, and other marginalized groups shrewdly manipulated mainstream culture and not only wrote but published themselves into being during the early national period. The book will be an invaluable resource for scholars interested in class, gender, identity, race, and print culture.

(Kathryn Zabelle Derounian-Stodola author of The War in Words: Reading the Dakota Conflict through the Captivity Literature)

Weyler gives a fascinating account of non-elites’ strategies―primarily collaborative writing and sponsorship by patrons and editors―to get their texts published during the radical expansion of American print culture from 1760 to 1815. (Philipp Schweighauser American Studies)

About the Author
KAREN A. WEYLER is an associate professor of American literature in the English Department at the University of North Carolina at Greensboro. She is the author of Intricate Relations: Sexual and Economic Desire in American Fiction, 1789-1814.

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Jumat, 28 November 2014

? PDF Ebook Jack London, Photographer, by Jeanne Reesman, Philip Adam, Sara Hodson

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Jack London, Photographer, by Jeanne Reesman, Philip Adam, Sara Hodson

Jack London (1876–1916) remains one of the most widely read American writers, known for his naturalist fiction, socialist novels and essays, journalism, and the many adventures that he shared with the world. London was also an accomplished photographer, producing nearly twelve thousand photographs during his lifetime. Jack London, Photographer, the first book devoted to London’s photography, reveals a vital dimension of his artistry, barely known until now.

London’s subjects included such peoples as the ragged homeless of London’s East End and the freezing refugees of the Russo-Japanese War, the latter photographed on assignment for the Hearst Syndicate. For Collier’s magazine, London wrote his eyewitness account of the 1906 San Francisco earthquake and fire and returned two weeks later with his camera to document a city in ruins but slowly recovering. During his voyage aboard the Snark, London produced humane images of the South Seas islanders that contrasted dramatically with the period’s stereotypical portraits of indigenous peoples. In 1914 he documented the U.S. invasion of Veracruz during the Mexican Revolution. Although some of his images were used in newspaper and magazine stories and in his books The People of the Abyss and The Cruise of the Snark, the majority have remained unpublished until now.

The volume’s more than two hundred photographs were printed from the original negatives in the California State Parks collection and from the original photographs in albums at the Huntington Library. They are reproduced here as duotones from silver gelatin prints. The general and chapter introductions place London’s photographs in the context of his writings and his times.

London lived during the first true mass-media era, when the use of photographic images ushered in a new way of covering the news. With his discerning eye, London recorded historical moments through the faces and bodies of the people who lived them, creating memorable portraits of individuals whose cultural differences pale beside their common humanity.

  • Sales Rank: #180455 in Books
  • Published on: 2010-09-15
  • Released on: 2010-09-15
  • Original language: English
  • Number of items: 1
  • Dimensions: 11.00" h x 1.10" w x 10.00" l, 4.05 pounds
  • Binding: Hardcover
  • 288 pages

Review

This book is an unanticipated landmark, for London's groundbreaking work as a photojournalist has remained hidden until now. . . . London was a prescient, timely genius; his work helped define the photojournalistic form, a new idea, now seen as the window into contemporary life. The book's visual bounty seems endless.

(Library Journal (starred review))

Jack London is best known as a writer of red-blooded adventure tales. But he was also a journalist, traveler, social activist - and prolific photographer . . . The breadth of this book shows how far London would go for a good story.

(Los Angeles Times)

This fascinating introduction will surprise many and spur further examination of this significant anthropological and historical visual archive.

(Clarice Stasz author of Jack London’s Women)

Jack London, Photographer demonstrates the truth of London’s claim to be a ‘professional photographer’ and provides readers with a fresh perspective, that of visual artistry, through which to view London’s writings.

(Donna M. Campbell author of Resisting Regionalism: Gender and Naturalism in American Fiction, 1885–1915)

Everyone knows that Jack London’s genius lay in the prose that flowed from his hand. But who could have imagined that his eye would be as powerful? London’s photographs are a remarkable discovery and his humanistic vision an important contribution to photography.

(Ken Light photographer and director of the Center for Photography, University of California Berkeley Graduate School of Journalism)

Jack London’s prose classics have overshadowed his camera work, but his photographs of London’s poor, the Russo-Japanese War, the San Francisco Earthquake, and ethnographic shots made during his voyages are all first class, too; and this masterful text-and-plates volume provides overdue recognition of them.

(ForeWord)

London himself was always a story – and he comes across as a living presence among his photography. . . .This wonderful book, packed with London’s notes on the images he had taken so selectively, strongly communicates his unique humanity and his respect for people striving to live among battering biological and social forces.

(Ron Slate author of The Incentive of the Maggot)

In Jack London, Photographer, Reesman, Hodson, and Adam offer a rich and engaging text, which not only introduces London’s photographs―many for the first time―but, more importantly, contextualizes the photographs in terms of London’s larger body of work.

(Studies in American Naturalism)

About the Author

Jeanne Campbell Reesman is a professor of English at the University of Texas, San Antonio. She is the author or editor of numerous works on London, including "Jack London's Racial Lives: A Critical Biography." Sara S. Hodson is curator of literary manuscripts at the Huntington Library where she has administered the Jack London Papers for over thirty years. She is the co-editor, with Jeanne Reesman, of "Jack London: One Hundred Years a Writer." Philip Adam has worked with museums and cultural institutions in California for thirty years to preserve historical photographic collections. His original photographs are in the permanent collections of the Bancroft Library, University of California at Berkeley; University of California at Davis, Special Collections; the California State Library in Sacramento; and the San Francisco Museum of Modern Art.

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10 of 10 people found the following review helpful.
The unknown photographer
By wogan
It seems that Jack London was not only an exceptional writer but a first rate photographer as well. He took photographs when he worked for Hearst and as he sailed the South Seas and rode into the Mexican Revolution and witnessed the aftermath of the San Francisco earthquake. Most of the pictures contained in this book were unpublished until now.

There are complete explanations of London as a photographer including an examination of his techniques and the relationship of the photos to his work.
One part which was omitted was how the techniques were developed that differentiated between Jack's photos and those of his wife and friend's.
Each section has a written introduction concerning London's investigations into the subjects covered and the photos are accompanied by quotes from his works to explain them.
Subjects covered are: the poor of London, the Russo-Japanese War, The San Francisco Earthquake, the cruise of the Snark in the South Seas, the voyage of the Dirigo and the Mexican Revolution. There is also a detailed introduction to Jack London and pictures of him.

These black and white photos are not only of interest to those wishing to learn more of London and his work, but also the history of the early 1900's. This is a very instructive and yet attractive work.

5 of 5 people found the following review helpful.
Monumental Photographs from an American Legend of Literature
By Grady Harp
Who knew? Well obviously some people did, because here in a splendid, large scale volume is the 'other aspect' of of legendary novelist Jack London (1876 - 1916): from the vaults of the Huntingon Library and the California State Parks Jeanne Reesman, Sara Hodson, and Philip Adam gathered these fascinating images, coupled them with some of London's writing that accompany the images, and added background information making this book an invaluable missing piece of art history mystery. The 200 some photographs have been 'restored' or reproduced by Philip Adam, an expert in historical photography, in duotones made from Adam's silver gelatin prints. As noted in the preface, 'the majority of the photographs were reproduced from original negatives and the others by copy negatives made from original photographs in London's photo albums at the Huntington Library, as well as collections of the California State Parks.'

What this book contains then are many portraits of various figures from London's brief life (he died at age 40 of kidney failure), but even more interesting are the documentation of the jaunts he made to London, England where he sensitively photographed the poverty stricken homeless, the South Seas Islanders, the devastation that resulted from the San Francisco Earthquake of 1906, scenes form the Mexican Revolution, and the victims of the Russo-Japanese War. As a photojournalist the quality of his informed inspection of sites such as this may make him one of the founders of modern photojournalism.

Though Jack London will always be remembered for his most famous books - The Call of the Wild, White Fang, The Sea-Wolf, The Iron Heel, and Martin Eden - there is adequate commentary in this collection to address the side of London that caused him public problems: he was an active member of the Socialist Party of America and was a racist, speaking of the Asian immigrants as 'the yellow peril', has workers as 'inefficient Italian laborers', etc. Despite these shortcomings Jack London is an important figure of American history, and here for the first time are the images that are as fascinating as his rugged books. 'With his discerning eye, London recorded historical moments through the faces and bodies of the people who lived them, creating memorable portraits of individuals whose cultural differences pale beside their common humanity.' Grady Harp, June 11

4 of 4 people found the following review helpful.
The Cover Says It All
By dream factory
We agree with "wogan" review above. Great review. So what do we have to add?
A personal photojournalistic journey that can stand up to the likes of Kubota, Post Wolcott, McCullin, Koudelka.
Documenting foreign cultures honestly, inconsequentially. The rhythm and indirect balance of some of these shots is quite unbelievable. especially coming from someone we grew up knowing as a master naturalist fiction writer.

Documentations include post-San Fran earthquake, Vera Cruz Mexico, Solomon Islands, Korea. His city of London photos are just beautiful. this book proves another talent which Jack London possessed.

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New Explorations into International Relations: Democracy, Foreign Investment, Terrorism, and Conflict (Studies in Security and Internationa

Choi looks at ten widely cited empirical studies that represent research programs in international relations. His discussions address such statistical and theoretical issues as endogeneity bias, model specification error, fixed effects, theoretical predictability, outliers, normality of regression residuals, and choice of estimation techniques.

  • Published on: 2016-03-15
  • Released on: 2016-03-15
  • Original language: English
  • Number of items: 1
  • Dimensions: 9.02" h x .94" w x 5.98" l, .0 pounds
  • Binding: Hardcover
  • 344 pages

About the Author
Seung-Whan Choi is an associate professor of political science at the University of Illinois at Chicago.

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~~ Ebook Download Tremé: Race and Place in a New Orleans Neighborhood (Geographies of Justice and Social Transformation Ser.), by Michael Crutcher Jr

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Tremé: Race and Place in a New Orleans Neighborhood (Geographies of Justice and Social Transformation Ser.), by Michael Crutcher Jr

Across Rampart Street from the French Quarter, the Faubourg Tremé neighborhood is arguably the most important location for African American culture in New Orleans. Closely associated with traditional jazz and “second line” parading, Tremé is now the setting for an eponymous television series created by David Simon (best known for his work on The Wire).

Michael Crutcher argues that Tremé’s story is essentially spatial―a story of how neighborhood boundaries are drawn and take on meaning and of how places within neighborhoods are made and unmade by people and politics. Tremé has long been sealed off from more prominent parts of the city, originally by the fortified walls that gave Rampart Street its name, and so has become a refuge for less powerful New Orleanians. This notion of Tremé as a safe haven―the flipside of its reputation as a “neglected” place―has been essential to its role as a cultural incubator, Crutcher argues, from the antebellum slave dances in Congo Square to jazz pickup sessions at Joe’s Cozy Corner.

Tremé takes up a wide range of issues in urban life, including highway construction, gentrification, and the role of public architecture in sustaining collective memory. Equally sensitive both to black-white relations and to differences within the African American community, it is a vivid evocation of one of America’s most distinctive places.

  • Sales Rank: #871973 in Books
  • Published on: 2010-12-01
  • Released on: 2010-12-01
  • Original language: English
  • Number of items: 1
  • Dimensions: 9.00" h x .48" w x 6.00" l, .64 pounds
  • Binding: Paperback
  • 204 pages

Review

When Zora Neale Hurston noted that New Orleans was the fountainhead of African American culture, she was talking about Tremé. Michael Crutcher’s book is a long overdue study of this critically important neighborhood―a place that exemplifies key issues about race and gentrification in the postindustrial United States. Given its timely subject matter and accessible style, the book should be of interest to scholars as well as general readers.

(Anthony J. Stanonis author of Creating the Big Easy: New Orleans and the Emergence of Modern Tourism, 1918–1945)

Never before has the mystery and glory of Faubourg Tremé been brought together in one volume. For the knowledgeable insider, Michael Crutcher’s research conquers familiar myths with facts, and elevates other myths to the status of verifiable truth. For those students who are unfamiliar with this unique American neighborhood, Crutcher makes a cogent argument in clear prose for why this place is worthy of attention, study, and celebration.

(Lolis Eric Elie writer for the television program Treme)

This work fills a void in the geographic literature that investigates the historical evolution of a New Orleans neighborhood associated with free people of color and its contemporary destruction and reconstruction. The text is written in clear, jargon-free language―an accomplishment for any author dealing with such complex theoretical concerns.

(Toni Alexander Journal of Cultural Geography)

Mutti Burke has pioneered into new historiographical territory, and On Slavery’s Border will be profitably read by specialists, generalists, and graduate students alike.

(Dave E. Paterson Journal of Southern History)

This provocative book challenges historical preservationists and profit-driven city planners alike to be more mindful of the hard-working and creative African American working class and its considerable cultural contributions to America. It is a must-read text for anyone interested in race, community activism, African American culture, and urban development in the inner city. (Ina Fandrich Louisiana History)

About the Author

Michael E. Crutcher Jr. is assistant professor of geography at the University of Kentucky.

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2 of 2 people found the following review helpful.
;Your soul comes alive
By Sandra R Spotleson
I love New Orleans. I've been there several times and each time I feel the energy of the city and its' people.
The HBO show captures the intensity of the people living in the Treme parish and the music needs to
survive with the people. Wonderful book,

1 of 1 people found the following review helpful.
THE SPIRIT LIVES ON !
By Beryl Davidson
VERY INFORMATIVE, AND VERY SCHOLARLY WRITTEN, I WOULD RECOMEND IT TO ANYONE INTERESTED IN NEW ORLEANS HISYTORY.IT TELLS THE DEVELOPEMENT AND THE CONTINUED SURVIVAL OF A NEIGHBORHOOD SPIRIT.
BERYL DAVIDSON

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Kamis, 27 November 2014

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The Other War of 1812: The Patriot War and the American Invasion of Spanish East Florida, by James Cusick

Resurrecting a forgotten chapter in transatlantic history, James G. Cusick tells how, just before the United States went to war against Great Britain in 1812, an ill-advised invasion of a Spanish colony became a stage on which the young republic clumsily acted out its imperial ambitions and racial fears. With the halfhearted backing of President James Madison and Secretary of State James Monroe, a party of Georgians invaded East Florida, confident that partisans there would help them swiftly wrest the colony away from Spain. The raid was a strategic and political disaster. Few sympathizers materialized, official U.S. support dissolved, and an extended guerrilla war ensued.

This was the "other war of 1812," or the Patriot War. Cusick, a lively storyteller as well as a meticulous scholar, conveys the savagery of the borderlands conflict that pitted American adventurers and anti-Spanish partisans against Spanish loyalists and their allies, who included Seminole Indians and escaped slaves. At the same time, Cusick looks at the American motivations behind the invasion, including apprehensions about Florida's growing population of unregulated blacks and geopolitical intrigues involving Spain, Britain, and France.

  • Sales Rank: #1011822 in Books
  • Brand: Brand: University of Georgia Press
  • Published on: 2007-04-15
  • Released on: 2007-04-15
  • Original language: English
  • Number of items: 1
  • Dimensions: 9.00" h x .97" w x 6.00" l, 1.23 pounds
  • Binding: Paperback
  • 392 pages
Features
  • Used Book in Good Condition

Review

A carefully researched history of Spanish East Florida's Patriot War, a complicated conflict that involved covert action by American forces, greedy border marauders from Georgia, rebels inside the province, Spanish troops and provincial white militia, free black militia, and Seminole warriors (both Indian and African American). The result of the war was devastation of the province's plantations and an end to a remarkable period of economic expansion.

(Daniel L. Schafer University of North Florida)

Greatly expands our understanding of how the Patriot War of 1812–13, a truly forgotten conflict, was interwoven with the War of 1812, American expansion, and developing ideas about free armed blacks living in the Spanish-American borderlands of Florida. Ultimately, the acquisition of Florida—a process that began with the Patriot War—would be the only way to satisfy American territorial ambitions and racial fears.

(Gene A. Smith Texas Christian University)

A superb, highly readable history of events as seen in the local context.

(American Historical Review)

While historians like Rembert Patrick and more recently Joseph B. Smith have explored the Patriot War, James G. Cusick has finally produced an expertly researched account that puts this conflict in the greater context of Southern and borderlands history. . . . The Other War of 1812 retells an interesting tale of a seminal moment in both Florida and Southern history. Its research is solid, and it raises important questions about race, culture, and political ideology that both historians and lay readers will want to ponder. It rates a place on the thankfully growing list of essential Florida history titles.

(H-Net)

Cusick's research should inspire renewed interest in the still mysterious and largely misunderstood Florida borderlands. As such, this work should prove appealing to regional, national, and Atlantic world historians.

(Journal of the Early Republic)

[Cusick] has done a great job of bringing in both Spanish and English language sources, something that many Americanists are unwilling or unable to do. In this sense Cusick is both rescuing and blazing a path for American diplomatic, political, and military history. . . . This is a strong book that updates and reevaluates an important chapter in southern, American, and borderlands history.

(Journal of American History)

About the Author
James G. Cusick is curator of the P. K. Yonge Library of Florida History at the University of Florida. He is a research associate of the St. Augustine Historical Society and the Historic St. Augustine Research Institute and serves on the board of directors for the Seminole Wars Historic Foundation, the Gulf South History and Humanities Conference, and the Florida Historical Society.

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0 of 1 people found the following review helpful.
I live on Amelia Island and do love history, thought I could not learn more about ...
By J. Moore
I live on Amelia Island and do love history, thought I could not learn more about this subject till I read this book by James G. Cusick. If you love U.S. History or the history of the southeast this book is for you!

6 of 7 people found the following review helpful.
New stuff but hard to read for general interest
By Dan Graves
I read this after seeing it on a War of 1812 bicentennial list. It had a great deal of new information, focussing mostly on the South and how that fit into the larger War of 1812--mostly a subject hardly mentioned in other books. As such it had a great deal of new and interesting material on Florida, New Orleans and the Creek Indians--all topics that usually come into being very late in other histories of the war. I liked the subject and new take but I found it more than a little hard going. It is clearly written for academics, which I am not, with lots of historiography, discussions of other historians and footnotes. That is fine, but I thought it helpful to forewarn general interest readers.

6 of 7 people found the following review helpful.
This is an exccellent book, based in real documents information
By Teresa Sardinas
This book is very descriptive of the events that happened in north Florida during the war of 1812. The book is based on real documents; therefore, its content is real.
Not only give information about the details of the war; but it describes the events that took place during that time, and its consequences, as well the ocupations of the citizens, and it give some of their names.
A map of Old Fernandina shows the streets' names.
Because of this book I can visit Fernadina and have an idea where those people lived even though the houses are not longer there.
This is an awesome book for Florida history lovers.
A job very well done!!!!!

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Rabu, 26 November 2014

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Into a Light Both Brilliant and Unseen: Conversations with Contemporary Black Poets (Sarah Mills Hodge Fund Publication)From Brand: Univ

Malin Pereira’s collection of eight interviews with leading contemporary African American poets offers an in-depth look at the cultural and aesthetic perspectives of the post–Black Arts Movement generation.

This volume includes unpublished interviews Pereira conducted with Wanda Coleman, Yusef Komunyakaa, Thylias Moss, Harryette Mullen, Cornelius Eady, and Elizabeth Alexander, as well as conversations with Rita Dove and Cyrus Cassells previously in print. Largely published since 1980, each of these poets has at least four books. Their influence on new generations of poets has been wide-reaching.

The work of this group, says Pereira, is a departure from the previous generation’s proscriptive manifestos in favor of more inclusive voices, perspectives, and techniques. Although these poets reject a rigid adherence to a specific black aesthetic, their work just as effectively probes racism, stereotyping, and racial politics. Unlike Amiri Baraka’s claim in “Home” that he becomes blacker and blacker, positioning race as a defining essence, these poets imagine a plurality of ideas about the relationship between blackness and black poetry. They question the idea of an established literary canon defining black literature. For these poets, Pereira says, the idea of “home” is found both in black poetry circles and in the wider transnational community of literature.

A Sarah Mills Hodge Foundation Publication.

  • Sales Rank: #4633057 in Books
  • Brand: Brand: University of Georgia Press
  • Published on: 2010-12-01
  • Released on: 2010-12-01
  • Original language: English
  • Number of items: 1
  • Dimensions: 9.00" h x .65" w x 6.00" l, .94 pounds
  • Binding: Paperback
  • 260 pages
Features
  • Used Book in Good Condition

Review

There is nothing quite like hearing poets think out loud. This volume is a major testament to the lively discussions going on in black poetry today, and the publication of such a book is long overdue.

(Aldon Lynn Nielsen author of Integral Music: Languages of African American Innovation)

The eight writers interviewed by Malin Pereira are key poets whose work is crucial in understanding how American poetry is one of the most dynamic literatures in the world. Each excellent interview gives fresh insight into the poet's work and examines how this active generation of writers has gone beyond a specific black aesthetic to address racism and its politics in a universal manner.

(Bloomsbury Review)

Pereira has conducted interviews with some of the most important―really essential―voices of post-Black Arts Movement poetry, and encouraged them to talk in unguarded ways about living the ‘poet’s life’ in an ever-evolving American racial landscape. Revealing, startling, and just downright fascinating, Into a Light Both Brilliant and Unseen will become an instant classic―a go-to sourcebook for scholars, students, and fans of contemporary African American poetry.

(Honorée Fanonne Jeffers author of Outlandish Blues)

About the Author

Malin Pereira is a professor and chair of the Department of English at the University of North Carolina, Charlotte. She is the author of "Rita Dove's Cosmopolitanism" and "Embodying Beauty: Twentieth-Century American Women Writers' Aesthetics."

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1 of 2 people found the following review helpful.
Too Bad There Isn't More Risk Here
By DBetts
While this collection of essays is pretty expansive, covering most of the major African American poets over the past few decades, there is little here that couldn't be found elsewhere. By far Wanda Coleman's interview was the most interesting, but this is likely because it was the most provocative. The one essay where the questions and answers didn't appear, if not scripted, ready made. There are endless opportunities to say something thought provoking here, and unfortunately few seem to have been taken. Which is not to say this isn't a good collection for someone unfamiliar with the writings of the author's collected. But if one has read several essays with Yusef Komunyakaa, or Rita Dove, or Elizabeth Alexander or Cornelius Eady, little will be revealed here. That, in a way, is unfortunate, as there is always so much these brilliant writers can say.

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^^ Fee Download Ruin Nation: Destruction and the American Civil War (UnCivil Wars Ser.), by Megan Nelson

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Ruin Nation: Destruction and the American Civil War (UnCivil Wars Ser.), by Megan Nelson

Ruin Nation: Destruction and the American Civil War (UnCivil Wars Ser.), by Megan Nelson



Ruin Nation: Destruction and the American Civil War (UnCivil Wars Ser.), by Megan Nelson

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Ruin Nation: Destruction and the American Civil War (UnCivil Wars Ser.), by Megan Nelson

During the Civil War, cities, houses, forests, and soldiers’ bodies were transformed into “dead heaps of ruins,” novel sights in the southern landscape. How did this happen, and why? And what did Americans―northern and southern, black and white, male and female―make of this proliferation of ruins? Ruin Nation is the first book to bring together environmental and cultural histories to consider the evocative power of ruination as an imagined state, an act of destruction, and a process of change.

Megan Kate Nelson examines the narratives and images that Americans produced as they confronted the war’s destructiveness. Architectural ruins―cities and houses―dominated the stories that soldiers and civilians told about the “savage” behavior of men and the invasions of domestic privacy. The ruins of living things―trees and bodies―also provoked discussion and debate. People who witnessed forests and men being blown apart were plagued by anxieties about the impact of wartime technologies on nature and on individual identities.

The obliteration of cities, houses, trees, and men was a shared experience. Nelson shows that this is one of the ironies of the war’s ruination―in a time of the most extreme national divisiveness people found common ground as they considered the war’s costs. And yet, very few of these ruins still exist, suggesting that the destructive practices that dominated the experiences of Americans during the Civil War have been erased from our national consciousness.

  • Sales Rank: #131481 in Books
  • Brand: Brand: University of Georgia Press
  • Published on: 2012-05-15
  • Released on: 2012-05-15
  • Original language: English
  • Number of items: 1
  • Dimensions: 9.00" h x .90" w x 6.00" l, 1.05 pounds
  • Binding: Paperback
  • 400 pages
Features
  • Used Book in Good Condition

Review

An important new contribution to nineteenth-century cultural history, environmental history, Civil War history, and American studies scholarship. Among the book’s many strengths are its interdisciplinary approach, showing a sophisticated understanding of fields ranging from visual culture to gender studies to the history of science; a truly impressive base of archival research; a very clear writing style; and a subtle suggestion of the topic’s present-day resonance and relevance.

(Aaron Sachs author of The Humboldt Current: Nineteenth-Century Exploration and the Roots of American Environmentalism)

Nelson brings a truly original set of problems and questions to a thoroughly canvassed period of U.S. history. Engaging, deeply researched, and lucidly and fluently written, her book is bound to interest scholars and a broader readership alike.

(Karen Halttunen author of Murder Most Foul: The Killer and the American Gothic Imagination)

Megan Kate Nelson has found a fresh way to consider the destruction caused by the Civil War. In often compelling prose, she uses the idea of ruins to consider how we construct meaning from chaos and loss. Through this concept she explores the scars left by combat on not only objects like homes but also on people, such as amputees. In the symbolism of ruins, she finds the intersection of how we cope with what war destroys and what it creates. The book is an intriguing application of cultural analysis to one of the centerpieces of our national narrative.

(William Blair Director of the George and Ann Richards Civil War Era Center, Pennsylvania State University)

An interesting read for those interested in the effects of the war on civilians [as] well as soldiers, and its longer term influence on society.

(NYMAS Reviews)

Nelson’s compelling argument is a great addition to the narrative on the American Civil War, and the impressive research upon which she bases her writing lends significant clout to her well-written and structured work. . . . Nelson’s work presents a fresh set of questions from which scholars can pursue future inquiries.

(Mike Sanders Southern Historian)

Ruin Nation is original, sophisticated, and persuasive, giving us a new lens through which we can focus our attention on significant aspects of the Civil War that we have never seen with such clarity. It should be read, and reread, by anyone hoping to understand what the war did to America, as opposed to what it did for it; what ruination meant to those who lived through it; and how it influenced the ways in which Americans since have viewed the central moment in our history.

(J. Tracy Power Civil War Book Review)

In her masterfully written and well-documented study of Civil War ruins, Megan Kate Nelson brings into high relief the tension between what the war destroyed and what it created. . . . Ruin Nation is an illuminating and engaging study of how Americans processed the devastation wrought by a bloody and destructive war.

(Victoria E. Ott Register of the Kentucky Historical Society)

Nelson effectively entwines cultural, gender, environmental, and military history in order to offer a unique perspective on war’s destructiveness.

(Lorien Foote Arkansas Historical Review)

About the Author
Megan Kate Nelson is a lecturer in history and literature at Harvard University. She is the author of "Trembling Earth: A Cultural History of the Okefenokee Swamp" (Georgia).

Most helpful customer reviews

4 of 5 people found the following review helpful.
Meticulous scholarship, well written
By Radio Fred
Meticulous scholarship, well written. An artful and captivating blend of first-hand narrative and the author's in-depth analysis. A contribution to the historical literature and great read.

0 of 0 people found the following review helpful.
A panaramic view of the Civil War's ruination
By Emil L. Posey
According to the Civil War Trust, the ACW cost 625,000 lives (some estimates are significantly higher) – nearly as many American soldiers as died in all the other wars in which this country has fought combined – and was the largest and most destructive conflict in the Western world between the end of the Napoleonic Wars in 1815 and the onset of World War I in 1914. Ms. Nelson goes into detail.

Megan Kate Nelson is a lecturer in history and literature at Harvard University. She is the author of Trembling Earth: A Cultural History of the Okefenokee Swamp. What she presents here is a panoramic view of the extent of the Civil War’s ruination and its effect on us as a people.

The ACW was not just a political upheaval. It was a social, environmental, and social upheaval of the first order, as well. Its violent nature not only took hundreds of thousands of lives – almost 2% of the total 1860 resident population of some 31,443,000 (US Census Bureau) – and many, many more wounded (many grievously and long lastingly), its devastation extended to cities and villages, industrial and transportation infrastructure, farms and livestock, fields and forests and waterways, and, most importantly, peoples’ sense of themselves – their realities, relationships, aspirations, and futures.

The war, particularly in the South, touched everyone. It was a shared experience, yet “Americans read the ruins in different ways depending on who they were, where they lived, the type of object destroyed, the moment in time, and who had done the destroying.” Ms. Nelson elaborates: “Nevertheless, northerners and southerners reacted in similar or even identical ways to wartime ruination. Therein lies one of the ironies of the war’s ruin narrative…its participants found common ground in their consideration of the costs.” And it is these narratives and descriptions that she captures and shares with us.

The book is divided into four broad chapters, each dealing with separate but entwined categories of ruin: cities, houses, trees, and people. War unmakes and remakes the landscape and society, and so these categories describe ephemeral ruin. As she puts it: “Within a generation of their production, most of them had disappeared from the American landscape. City buildings and homes were rebuilt or their materials were repurposed as southerners got on with the work of literal reconstruction. The acres of stumps and tree shards that soldiers created on the march, in camp, and in battle grew over with successive species. The men who fought lived the longest; veteran amputees survived into the twentieth century, but then they, too, were gone. What are left are merely traces, not ruins: stone foundations, a lone chimney here or there, grassy mounds marking former earthworks, fragments of bone in a medical cabinet.”

The book doesn’t have the fast-paced flow of a battle narrative, but it is quite readable. Relying heavily on period letters, literature, news media, drawings, and cartoons, it is a solid work that opens the door for many of us to a different way of looking at the ACW. It is a valuable read for anyone, seasoned or novice, interested in the Civil War and its cultural significance. I highly recommend it.

0 of 0 people found the following review helpful.
A depressing, but necessary, read
By Joseph Rose
Ms. Nelson's book is a much-needed reminder of the costs of war, in general, and of the huge and tragic effects of the American Civil War. Among its many strengths, the book provides a compelling look at the destruction of Columbia, South Carolina by troops under General William T. Sherman (and thus showed how he lied in disclaiming that he and they were mainly responsible). The author also describes the burning of Chambersburg, Pennsylvania, which was in retaliation for the depredations of Union General David Hunter in the Shenandoah Valley. It could be said that she let General Phil Sheridan off easy, but with so much ruin across the nation, many incidents would have to be omitted due to constraints of space. This is a work for everyone interested in the Civil War, in our country's history, or in the terrible impact of wars on people and places.

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