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** Ebook La escritura femenina en la postguerra española (Wor(l)ds of Change: Latin American and Iberian Literature) (Spanish Edition), by M

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A pesar del tradicionalismo, impuesto por la política autoritaria del régimen de Franco, en la década de los cuarenta se inicia una abundante producción literaria femenina en España. Ana María Matute, Carmen Martín Gaite y Elena Quiroga cuentan entre las escritoras más representativas de este fenómeno. En este trabajo la contribución de estas mujeres al mundo español de las letras se ha evaluado y analizado utilizando una selección de sus novelas. El análisis de este corpus narrativo se ha enriquecido aplicando teorías literarias desarrolladas por intelectuales de importancia en los Estados Unidos.

Sales Rank: #16780453 in Books
Published on: 1995-12-01
Original language: Spanish
Number of items: 1
Dimensions: 9.50" h x 6.50" w x .75" l, 1.05 pounds
Binding: Hardcover
208 pages

Language Notes
Text: Spanish

From the Publisher
A pesar del tradicionalismo, impuesto por la política autoritaria del régimen de Franco, en la década de los cuarenta se inicia una abundante producción literaria femenina en España. Ana María Matute, Carmen Martín Gaite y Elena Quiroga cuentan entre las escritoras más representativas de este fenómeno. En este trabajo la contribución de estas mujeres al mundo español de las letras se ha evaluado y analizado utilizando una selección de sus novelas. El análisis de este corpus narrativo se ha enriquecido aplicando teorías literarias desarrolladas por intelectuales de importancia en los Estados Unidos.

About the Author
El autor: María del Carmen Riddel es profesora de Lenguas Modernas en Marshall University en Huntington, Virginia Occidental. Recibió el doctorado en literatura española contemporánea en the Ohio State University. Además de numerosas presentaciones en congresos profesionales, ha publicado artículos sobre varios aspectos de la producción literaria de mujeres españolas.

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~~ Ebook Rage in the Gate City: The Story of the 1906 Atlanta Race Riot, by Rebecca Burns

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During the hot summer of 1906, anger simmered in Atlanta, a city that outwardly savored its reputation as the Gate City of the New South, a place where the races lived peacefully, if apart, and everyone focused more on prosperity than prejudice. But racial hatred came to the forefront during a heated political campaign, and the city's newspapers fanned its flames with sensational reports alleging assaults on white women by black men. The rage erupted in late September, and, during one of the most brutal race riots in the history of America, roving groups of whites attacked and killed at least twenty-five blacks. After four days of violence, black and white civic leaders came together in unprecedented meetings that can be viewed either as concerted public relations efforts to downplay the events or as setting the stage for Atlanta's civil rights leadership half a century later.

Rage in the Gate City focuses on the events of August and September 1906, offering readers a tightly woven narrative account of those eventful days. Fast-paced and vividly detailed, it brings history to life. As June Dobbs Butts writes in her foreword, "For too long, this chapter of Atlanta's history was covered up, or was explained away. . . . Rebecca Burns casts the bright light of truth upon those events."

Sales Rank: #1815248 in Books
Brand: Brand: University of Georgia Press
Published on: 2009-07-01
Released on: 2009-07-01
Original language: English
Number of items: 1
Dimensions: 9.00" h x .60" w x 6.00" l, .70 pounds
Binding: Paperback
232 pages

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ISBN13: 9780820333076
Condition: New
Notes: BRAND NEW FROM PUBLISHER! 100% Satisfaction Guarantee. Tracking provided on most orders. Buy with Confidence! Millions of books sold!

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1 of 2 people found the following review helpful.
A Quick Read
By Booklover
Standing alone, it's a good account of a shameful and repressed history of Atlanta. Burns quickly reports the political, sexual, and racial hysteria in the city, and the riot itself, but doesn't spend much time on the aftermath. Compared to Negrohobia: A Race Riot in Atlanta, 1906, and it's not as comprehensive. Buy this if you want a quick read.

0 of 0 people found the following review helpful.
Good price and fast shipping
By Kathryn Mays
Needed for college. Good price and fast shipping.

0 of 3 people found the following review helpful.
Schmaltzy Conflation and Infantilized Social History Goo
By Mark Cohen
I'm familiar with the works of Rebecca Burns, author of 'Rage in the Gate City: The Story of the 1906 Atlanta Race Riot' (2009). Rebecca Burns is a journalism professor who was editor-in-chief of Atlanta Magazine and author of several books. Rebecca Burns wrote an article about the Leo Frank case titled, 'The Murder of Mary Phagan' (Atlanta Magazine, April 25, 2012) that I suggested possible editorial corrections, areas for further elucidation and pointed out several errors she made about well known facts. She thanked me for the thoughtful feedback, made an excuse suggesting a brain-fart, ending the explanation with "my bad" and as of yet never got around to fixing the acknowledged errors.

I regret to say the sum total collection of books Rebecca Burns has written, more often than not, reflect she has: a tendency to mangle objective facts, a predilection for conflating circumstances to advance the undercurrents of her politically correct "social history justice" machinations and used some of her works for the subversive agenda to perpetuate one-side anti-Gentile, anti-White, and anti-Southern narratives. Her "regression to the mean" narratives are both conspicuous and simmering under the surface.

For people who have read up on the primary sources of race riots and lynching in general, the book 'Rage in the Gate City' reads like agitprop regurgitation, as if the eminent author is a trained parrot who mostly relied upon borrowing social-democrat leaning monographs about the 1906 race riots and cherry picked primary sources (nice selection too), but doing the bare minimum independent research exploring alternative viewpoints in her approach to race relations historiography. To put it more bluntly: the book appears to be a total re-write of other egalitarian researchers work with the author's own tight and narrow colorful topspin and little else offered but undercurrents based on postmodern inversions of reality.

Fast paced, and mostly well written journalese, everything is focused like a lazer to advance the authors own admitted crusades for social and economic justice. Which is why the rapes of four White women by black men, get brushed aside as mistaken plot devices lost in the subjective background of her own version of pseudo-history.

As the great Psychologist Sigmund Freud once said, "sometimes a cigar is just a cigar"

Essentially denying (without real evidence) the rapes as the actual root-cause of this race riot is the central feature of this book upon deeper reflection thus not looking at what was the prominent why of lynching history. Instead every appeasement to external economic, social, and political factors that can be re-engineered and conflated are retroactively backdated to a monocular Al Sharpton worldview. The Black gang rapists that instigated the race riot, must ultimately be nothing more than noble victims of false accusations via newspaper circulation war misunderstandings and economic struggles, while the self-righteously indignant vigilante avengers of the rapes, who were trying to send an unforgettable message, are irrational marionette puppets, dupes hoodwinked by the daily paper pugilists antagonizing race wars for readership eyeballs.

30,000 White women are sexually assaulted by black men each year, are these allegations as well? Certainly some could be? What's the objective percentage moreorless? Is this a new phenomena that never existed before in the past based on the mathematical equation of racial population demographics? How about developing a statistical math equation based on racial demographics and population ratio to predict racial conflict and rape to advance our knowledge of racial conflict over the decades. I think this book is lacking in putting this race riot in context with the larger statistics of lynchings and "why" that occurred 40 years before and after this riot in the whole South, not just Georgia. She doesn't dive into the abyss like a fearless time traveler. I'm sorry to say this book is a door ajar letting in only certain light and I would have liked to see a better placing of this riot in time and space, and circumstances.

Rapes? What rapes? It was just a magic trick, now you see it, now you don't. They're just sortakinda newspaper concoctions we are led to believe, or more precisely "allegations" that should have been presumably retracted the next day, except for those gosh darn police reports and mentally shattered victims. Let's just pretend there are no documented police records or rape survivors, it was all a "misunderstanding", (more often than not interracial rapes are hoaxes right? what's the percentage?) nothing to see here, carry on. I guess the best thing to do is quietly sweep all the incontrovertible medical forensic evidence and accounts of the time under the rug of economic racism, why spoil a good opportunity to deracinate White Southerners and the South?

Rebecca Burn's selection of primary sources and clips are indeed fascinating, but the book doesn't read like a book, but more like concatenated choppy journalist's expose articles and chapters. The chapters are unsatisfying, because they don't answer the deeper sociological mysteries. She's definitely traveled back in time, gone into the original sources, but once there, rose tinted vintage glasses from 1906 and horse blinders stay on the whole time.

The author does not look at the conflict with new 21st century eyes, no new insights are to be elucidated in this real-life historical event nefariously transmogrified by Rebecca Burns into a series of mawkish racial morality lesson fables, via the usual nauseating politically correct rebooting of history into "Economic and Social Justice History", with cultural Marxist intonations and egalitarian contextualization. Conflations galore are asserted as established truth at the epicenter of every chapter with hardly any evidence presented to sustain them, except over-stretched circumstances and conjecture that fits the "social and economic justice history" narrative. We are supposed to presume that all the thick-and-fast claims fast-forwarded throughout the entire book are objective facts and indisputable conclusions of consensus, that hardly need much explanation or any real-not-unreliable evidence to back up most of the assertions. This is why few books on this subject can be taken seriously, because the ivory tower intellectuals whose agenda is "social and economic history justice" all conflate every racial contention in history with their conspicuous social-political agendas, then they quote and cite each other to deflect from the real heart of the matter in this particular saga. It has become one big ugly transparent progressive liberal academic scholarly sowing circle of sophistry. All other view points are ignored or drowned out as one variation or another of hate and racism.

Most people will see right through the anti-White-Southerner propaganda undercurrents of the book woven through every chapter. What the author doesn't realize is that 21st century students of history want to learn about the past without being inundated with either left-wing or right-wing slanting. Most people who are seeking to learn about history are not interested in being proselytized one way or another, they just simply want the real objective facts presented to them in an engaging manner with relevant details and mature prose. Since most people these days are skeptical about everything, and since we now all know history is bunk written by the victor's activists, we expect evidence and proof for blanket assertions. The average 21st century reader has a delicate and highly sensitive propaganda nose-detector, far too weary to fall for the attempted subconscious reprogramming of tiresome good-evil left-right paradigms or in the case of this book, politically correct racism.

Therefore the author, Rebecca Burns, needs to understand one can tell the fascinating story of history and it still be wildly enthralling, without the suppositions framed with agenda driven motivations for pushing the writer's self-righteous and one-sided racial, economic and political crusades. In other words, repeating it adnauseum and making it entirely clear again, just the objective facts please, with objective evidence and without the author's unwanted personal and subjective social agenda shoveled down our throats...

Otherwise people are going to think the author is writing a book as a cohort of fellow travelers, all writing about the same subject in linguistic superficially different ways, quoting and citing each other, for the purpose of creating a central artificial consensus and manufactured perceived norms for modern orthodox history of the subject -- that will now have to be labelled the ivory tower of ignorance version. Students of the 21st century know how this game works, we're no longer naive, you get a group of politically like-minded scholars (left or right), academics and researchers to write about a subject taking certain perspectives and positions, incorporating them into their own subjective variations, then each person in the same sowing circle group writes there own "unique" version of that same exact narrative, thus creating the fabricated cultural orthodoxy and mainstream popular culture about a given topic. The Internet age has fostered the new ability in many people now to sniff out such subversion and sometimes authors will need to be called out about it.

It was this book that finally brought me from the unconscious to the conscious conclusion that maybe it's time books should start having warning labels placed on them!

Does anyone have the capacity to dispassionately retell history anymore? If not could authors atleast inform the reader by disclosing their political agendas, before the curious buyer buys the book hoping for the "godseye" distillation, so they know what they're getting into? More broadly speaking, do any authors out there have the intellectual capacity to emotionally detach themselves from their own personal biases, regardless whether they be left-wing or right-wing? Are there any authors out there who can just present the objective facts and events in a riveting and thought-provoking way, allowing the reader to draw their own conclusions free of bias? Does every book on contentious racial subjects in the South have to be an opportunity for either conservative or progressive couch potato revolutionaries and polemicists masquerading as academic scholars to re-write history for pushing their own ulterior motives of shaming, demoralizing, deracinating, dividing, guilting, stereotyping and attacking the "other"? (yes this applies to both the left and right)

If you want to know what this book is, open your mouth and frown, make sure you keep your mouth open while you frown, now tilt your chin ever so slightly sideways while holding that face and then point your chin upward toward the ceiling while still holding your mouth open and frowning. Now maintain that facial pose as long as you can and meditate on it hard, that's what this book is and its worth reading.

I encourage everyone who made it to the bottom of my long winded diatribe review to purchase this book right now and read it to see if I am right or not. Please let me know your own detailed analysis review of the book.

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Selasa, 21 Januari 2014

!! Ebook Free Buried Lives: Incarcerated in Early AmericaFrom Brand: University of Georgia Press

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Buried Lives offers the first critical examination of the experience of imprisonment in early America. These interdisciplinary essays investigate several carceral institutions to show how confinement shaped identity, politics, and the social imaginary both in the colonies and in the new nation. The historians and literary scholars included in this volume offer a complement and corrective to conventional understandings of incarceration that privilege the intentions of those in power over the experiences of prisoners.

Considering such varied settings as jails, penitentiaries, almshouses, workhouses, floating prison ships, and plantations, the contributors reconstruct the struggles of people imprisoned in locations from Antigua to Boston. The essays draw upon a rich array of archival sources from the seventeenth century to the eve of the Civil War, including warden logs, petitions, execution sermons, physicians’ clinical notes, private letters, newspaper articles, runaway slave advertisements, and legal documents. Through the voices, bodies, and texts of the incarcerated, Buried Lives reveals the largely ignored experiences of inmates who contested their subjection to regimes of power.

Sales Rank: #2289737 in Books
Brand: Brand: University of Georgia Press
Published on: 2012-03-01
Released on: 2012-03-01
Original language: English
Number of items: 1
Dimensions: 9.00" h x .90" w x 6.00" l, 1.00 pounds
Binding: Paperback
320 pages

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Used Book in Good Condition

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Buried Lives is an antidote to the Rothman/Foucault/Ignatieff trilogy that emphasizes prisons as engines of the state. Intersecting several historical fields, the collection draws from studies on slavery and abolition, reform, poverty and the working class, personal narratives, and print culture. The variety of sources and methodologies employed underlines the book’s potency as a revisionist project. The essays make good use of overlooked or not-so-obvious sources to tease out experiences, incidents, attitudes, and expressions of those incarcerated as well as their keepers.

(Susan Branson author of Dangerous to Know: Women, Crime, and Notoriety in the Early Republic)

A challenging and thought-provoking collection. Prison history tends to focus on the founding elite and to assume that their initial visions were in fact carried out in practice. These lively studies uncover the quotidian realities of guards, clergy, and inmates to counter these assumptions and challenge some dominant theories of the meaning of incarceration. The scholarship is first-rate, based on original archival research into previously obscure sources. Combined, these essays produce a fresh look at the roots of modern penal practices and at the resistance offered by those in these institutions.

(Susan E. Klepp author of Revolutionary Conceptions: Women, Fertility, and Family Limitation in America, 1760–1820)

Buried Lives is a welcomed intervention in penal history. By centrally locating inmates, this phenomenal collection of essays spotlights varied voices and incarceration experiences that speak provocatively about the flawed relationship between criminal 'justice' and American democracy.

(Kali Nicole Gross Associate Professor of African and African Diaspora Studies, The University of Texas at Austin)

Buried Lives is a strong addition to any collection dedicated to crime and punishment throughout history.

(Midwest Book Review)

Buried Lives is an important volume for scholars of the history of punishment, as well as those interested in early and antebellum American history, slavery and antislavery, the history of poverty, and the development of American literary and print media forms.

(Jennifer Graber Journal of American History)

The essays in [Buried Lives] have done an admirable job of bringing women, servants, slaves, and the poor to the center of the history of early American. Buried Lives will enrich and enliven undergraduate and graduate survey courses in law and history departments.

(Taja-Nia Henderson Law and History Review)

The book’s contents reflect its geographic origins (about half the volume centers on 18th-century Philadelphia), but as a whole, it lives up to its goal ‘to break incarceration free’ from the ‘historiographical roots’ planted by Michel Foucault, Michael Ignatieff, and David Rothman. . . . Those previously buried lives include ‘vicious men, calculating women, diffident drunks, runaway slaves, immigrant workers, homeless children, victims of domestic abuse and sexual assault . . . the vagrant, the poor, and the enslaved,’ all of which help complicate and enrich the understanding of incarceration in the early U.S.

(M. G. Spencer Choice )

This interdisciplinary approach to the study of punishment in early America provides a much-needed bridge to histories of twentieth-century penal regimes and current prisoners’ rights advocacy movements.

(Jen Manion Journal of the Early Republic)

About the Author
Michele Lise Tarter is an associate professor of English at the College of New Jersey. She is coeditor of A Centre of Wonders: The Body in Early America. Richard Bell is an assistant professor of history at the University of Maryland, College Park. He is the author of We Shall Be No More: Suicide and Self-Government in the Newly United States.

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1 of 1 people found the following review helpful.
Four Stars
By M. Pickering
Excellent work that is also very readable.

See all 1 customer reviews...

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Senin, 20 Januari 2014

@ Free PDF Thomas Pynchon and the Dark Passages of History, by David Cowart

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Thomas Pynchon helped pioneer the postmodern aesthetic. His formidable body of work challenges readers to think and perceive in ways that anticipate―with humor, insight, and cogency―much that has emerged in the field of literary theory over the past few decades. For David Cowart, Pynchon’s most profound teachings are about history―history as myth, as rhetorical construct, as false consciousness, as prologue, as mirror, and as seedbed of national and literary identities.

In one encyclopedic novel after another, Pynchon has reconceptualized historical periods that he sees as culturally definitive. Examining Pynchon’s entire body of work, Cowart offers an engaging, metahistorical reading of V.; an exhaustive analysis of the influence of German culture in Pynchon’s early work, with particular emphasis on Gravity’s Rainbow; and a critical spectroscopy of those dark stars, Mason & Dixon and Against the Day. He defends the California fictions The Crying of Lot 49, Vineland, and Inherent Vice as roman fleuve chronicling the decade in which the American tapestry began to unravel. Cowart ends his study by considering Pynchon’s place in literary history.

Cowart argues that Pynchon has always understood the facticity of historical narrative and the historicity of storytelling―not to mention the relations of both story and history to myth. Thomas Pynchon and the Dark Passages of History offers a deft analysis of the problems of history as engaged by our greatest living novelist and argues for the continuity of Pynchon’s historical vision.

Sales Rank: #1512973 in Books
Published on: 2012-01-15
Released on: 2012-01-15
Original language: English
Number of items: 1
Dimensions: 9.00" h x .90" w x 6.00" l, .80 pounds
Binding: Paperback
224 pages

Review

Soon it will be fifty years since the debut of Thomas Pynchon's award winning first novel V., in 1963. During those decades this famous writer has succeeded doggedly and amazingly in the task of secreting himself and his private life from the public eye and has published six more novels, a collection of short fiction, and various bits and blurbs of prose. With that anniversary Pynchon will turn seventy-six. The time is nigh, then, for critics to reckon with the body of his work, its place in the history of American literature, and of the novel. Cowart is certainly the one to do that work.

(Steven Weisenburger author of A Gravity's Rainbow Companion)

With his 1980 Thomas Pynchon: The Art of Allusion, David Cowart produced one of the earliest sustained scholarly studies of Pynchon's fiction, and his work has remained among the best of its kind: not only intelligent, learned, and sophisticated, but also graceful, charming and accessible. Here he takes Pynchon's historical imagination and projects as his central focus, understanding them as integral to, not at odds with, Pynchon's manifest postmodernism. The Pynchon he constructs is politically engaged and something of a humanist, with a decidedly if ambiguously spiritual bent. To do justice to all these facets of a complex author is quite an achievement. This book is the real thing.

(John M. Krafft Miami University)

In this concise, jargon-free study, Cowart elucidates Pynchon’s postmodernist grappling with history in all seven of his novels and in his short stories, journalism, and ephemera. . . .This study will be extremely useful for beginning readers of America’s greatest living historical novelist and a pleasure for all experienced critics as well.

(Choice )

Pynchon’s work has always attracted superior intellects, and one of the field’s best, David Cowart, shares his insights in Thomas Pynchon and the Dark Passages of History. . . . [T]he great contribution Cowart’s study makes is extending his thesis to Pynchon’s California novels in a way that lets readers see how they are central to the author’s career rather than marginal as some scholars have assumed.

(American Literary Scholarship)

About the Author
In one encyclopedic novel after another, Thomas Pynchon has reconceptualized historical periods that he sees as culturally definitive. Examining Pynchon's entire body of work, David Cowart offers an engaging, metahistorical reading of V.; an exhaustive analysis of the influence of German culture in Pynchon's early work, with particular emphasis on "Gravity's Rainbow"; and a critical spectroscopy of those dark stars, "Mason & Dixon" and "Against the Day." He defends the California fictions "The Crying of Lot 49," "Vineland," and" Inherent Vice" as" roman fleuve" chronicling the decade in which the American tapestry began to unravel.

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8 of 9 people found the following review helpful.
Highly recommended
By Arthur Maisel
This is a wonderful book that manages to balance scholarly professionalism with a more personal approach to the work of Thomas Pynchon. Scholars often seem to feel the need to hide their emotional connections to what they study. Perhaps they have been made to feel that their "objectivity" will be affected by their love---that may in fact be true---but criticism is not hard science and even scientists must be attracted to what they study to devote so much time and energy to it. Maybe the ideal for a scholar is what's called "tough love" between people: that is, the kind of deep commitment that demands honesty.

Cowart seems to have been drawn into literary criticism by Pynchon's writing, which he has been reading and thinking about from the beginning of Pynchon's career with V. He is a remarkable reader. Widely informed by theory (of course), he is able to keep to the fore what is the primary experience: the confrontation between the reader and the writer's words. He is an excellent writer himself, with the wit and the wide range of reference that Pynchon requires.

I have read quite a bit of Pynchon criticism (and even felt the need to write about his writing a couple of times). I think Cowart belongs in the same company as the best Pynchon critics, such as his onetime mentor, the late Richard Poirier.

If you are the kind of reader who wants "what Pynchon is getting at" explained, this may not the book for you (though it does address his themes with great clarity and subtlety)---because if that's the case, maybe you shouldn't be reading Pynchon anyway. If you are part of the "cult" and most interested in deciphering the arcane references in the books, you will find this book disappointing (though there are some well-informed examples here of that approach)---because Cowart is much more interested in Pynchon as an artist than as a fabricator of puzzles.

It may seem paradoxical to say so, but if you are the kind of reader who appreciates Pynchon as a great writer and wants to know what someone like yourself thinks---someone who has, however, devoted much more time to the pursuit than you have---then I think you will want to read this book.

0 of 12 people found the following review helpful.
I should have known better.
By Melissa Dooley
I'm sorry, Mr. Pynchon. I should have known better.

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* Download Ebook Fearless Confessions: A Writer's Guide to Memoir, by Sue Silverman

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Everyone has a story to tell. Fearless Confessions is a guidebook for people who want to take possession of their lives by putting their experiences down on paper―or in a Web site or e-book. Enhanced with illustrative examples from many different writers as well as writing exercises, this guide helps writers navigate a range of issues from craft to ethics to marketing and will be useful to both beginners and more accomplished writers.

The rise of interest in memoir recognizes the power of the genre to move and affect not just individual readers but society at large. Sue William Silverman covers traditional writing topics such as metaphor, theme, plot, and voice and also includes chapters on trusting memory and cultivating the courage to tell one's truth in the face of forces―from family members to the media―who would prefer that people with inconvenient pasts and views remain silent.

Silverman, an award-winning memoirist, draws upon her own personal and professional experience to provide an essential resource for transforming life into words that matter. Fearless Confessions is an atlas that contains maps to the remarkable places in each person's life that have yet to be explored.

Sales Rank: #138466 in Books
Brand: Brand: University of Georgia Press
Published on: 2009-06-01
Released on: 2009-06-01
Original language: English
Number of items: 1
Dimensions: 9.00" h x .80" w x 6.00" l, .80 pounds
Binding: Paperback
256 pages

Features

Used Book in Good Condition

Review

If you are writing a memoir, read Fearless Confessions. There are some things that can't be taught in a book, but Sue William Silverman teaches you everything that can be! The author of two stunning memoirs herself, she breaks down the complex weaving of a story into discrete elements, such as detail, voice, and plot, with clear, useful guidance on each aspect. Invaluable!

(Ellen Bass author of The Human Line)

Fearless Confessions is such a dynamic guide to memoir writing it has inspired me to completely refine and retool the memoir I’m working on. Sue William Silverman, a faculty advisor at the Vermont College of Fine Arts, is an amazing master of the language. Her prose is as enjoyable as it is instructive. This should be an essential textbook of any creative writing course. She gives examples of memoir pieces and analyzes each one, showing how they work, why they're powerful, and even why some fail to impress.

(15 Minutes Magazine)

I dutifully recommend Lamott's Bird by Bird, Goldberg's Writing Down the Bones and King's On Writing to my students each term, but I find that I'm particularly excited to inform them of Silverman's new book. Her writing has a tone that's both accessible to readers and uncompromising in its rigorous investigation of what makes for compelling memoir.

(Writer Magazine)

Fearless Confessions is a must. I love the way Sue William Silverman exposes the process she used in creating her much acclaimed Love Sick―its struggles, exposures, and empowerment―to teach. A masterful nonfiction writer, Silverman uses her story to guide readers through their own process: how to grasp the use of the senses, mimetic detail, scene, and much more. Her discussion of the Voice of Innocence and the Voice of Experience is sure to become a classic. This book is truly indispensable.

(Suzanne Paola coauthor of Tell It Slant: Writing and Shaping Creative Nonfiction)

Fearless Confessions demonstrates the range of Silverman's voice, which is conversational and engaging throughout, never lapsing into the dry instruction-manual voice that could have endangered this book . . . Fearless Confessions provides a guide not only to students, emerging writers, and faculty members who teach memoir writing but also to more established writers interested in exploring the genre. Writers will find lessons and examples that they can use, from the first words of their stories-Silverman's 'first bite'-and onward.

(Prairie Schooner)

I've wanted a book like this for the courses I teach on memoir and am looking forward to putting it to good use. Silverman's Fearless Confessions is a valuable guide not only for students and teachers but also for those outside the academy who are interested in writing memoir but are uncertain of how to begin.

(Janet Mason Ellerby author of Following the Tambourine Man: A Birthmother's Memoir)

Sue William Silverman has yet again written a book that needs to be written, in this case an indispensable guide to the writing of memoir, especially those we might deem 'confessional.' The confessional has long held a vaunted though sometimes controversial place in Western literature, and Silverman not only redeems the value of confession artistically but quite pragmatically gives the novice a means of giving voice to what was previously jumbled and ineffable.

(Robin Hemley author of Do-Over!)

From the Inside Flap
Everyone has a story to tell. Fearless Confessions is a guidebook for people who want to take possession of their lives by putting their experiences down on paper--or in a Web site or e-book. Enhanced with illustrative examples from many different writers as well as writing exercises, this guide helps writers navigate a range of issues from craft to ethics to marketing and will be useful to both beginners and more accomplished writers.

The rise of interest in memoir recognizes the power of the genre to move and affect not just individual readers but society at large. Sue William Silverman covers traditional writing topics such as metaphor, theme, plot, and voice and also includes chapters on trusting memory and cultivating the courage to tell one's truth in the face of forces--from family members to the media--who would prefer that people with inconvenient pasts and views remain silent.

About the Author
Sue William Silverman is a faculty advisor at the Vermont College of Fine Arts and the associate editor of the journal Fourth Genre: Explorations in Nonfiction. Her first book, Because I Remember Terror, Father, I Remember You (Georgia), received the AWP Award in Creative Nonfiction. She is also the author of Love Sick: One Woman's Journey through Sexual Addiction (made into a Lifetime TV movie) and Hieroglyphics in Neon, a collection of poems.

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54 of 55 people found the following review helpful.
A Rare Resource!
By Mary Domenico
Sue William Silverman has accomplished the rare feat of offering writers a craft book that won't simply get thumbed through and abandoned. Avoiding the usual rehash of basics, Silverman concentrates on what matters most to a memoirist - How do you identify and effectively contrapose the voice of your younger, less-experienced self with your wiser, reflective voice? How do you devise plot powerful enough to make leaps from mere story to universal meaning? How do you sift through the images sparked by your material to find expressive metaphors? Her provocative theoretical discussions are coupled with practical instruction. Particularly useful are Silverman's exercises, which are not run-of-the-mill prompts but detailed progressions that dig deeply and, even for an experienced writer, yield surprising results.

If you've ever been made to feel your story isn't worth telling or pressured to adapt your reality to the market, in Silverman you will find an intelligent and convincing advocate. No craft book can give you everything needed to embark on a new book, but she goes a long way toward equipping you for the journey. I wish I'd read this book before I wrote my first memoir; I'll welcome it as a companion during my second.

32 of 32 people found the following review helpful.
The best guide to writing available
By YellowLedbetter
I can attest, first hand, that the writing method contained within these pages works. Sue William Silverman offers a grounded approach to both the micro and macro levels of writing. The book offers practical assistance with common writing issues (using more active words, voice, dialogue, and tense) to more nonfiction-specific concerns (voice of innocence/experience and truth/memory). I teach this book to both my creative writing classes and my literature courses--as a way to approach nonfiction.

Prior to utilizing Sue's method I was having little success with publishing, but within one year after heading her advice within this book I landed eight publications. I will now be following her suggestions in this book to find a home for my full collection of essays. There is no other resource that is as comprehensive and helpful for new and experienced writers as this book. A must have for anyone who is even thinking of telling his or her story.

23 of 23 people found the following review helpful.
Confessional and proud!
By Erin Miller
If you have ever thought about writing your story, but thought:
I can't do that
I don't know how to write
What will my mother say?
I have nothing to say anyway

....
then this book was written for you.

This book is the antidote for all of the voices that demand silence, be they literary critics or family members. Sue Silverman not only guides the reader through the thorny issues of telling the "truth" in memoir, but she also provides real, practical guidelines for writing better prose, as well as innovative ways to market your work. The result is an inspiring, funny, and incredibly insightful book. I particularly loved her writing exercises and the example essays that she chose to illustrate her various points.

Silverman also has first-hand experience in writing about "confessional" subject matter--she's the author of two memoirs, one about growing up in an incestuous family, and one about sex addiction. Her gentle prodding--"Write anyway! Whatever the roadblock. Write anyway!" is backed up by solid information and great advice. Her critique of literary and pop cultural denigration of memoir is sharp and to the point, and among the best I've ever read.

Sue's book is a gift to us all. I'm grateful that she wrote it, and that I had the opportunity to read it--and now I've got to get back to work on my memoir.

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Minggu, 12 Januari 2014

@ Free PDF Criminal Justice in Colonial America, 1606-1660, by Bradley Chapin

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This study analyzes the development of criminal law during the first several generations of American life. Its comparison of the substantive and procedural law among the colonies reveals the similarities and differences between the New England and the Chesapeake colonies.

Bradley Chapin addresses the often-debated question of the “reception” of English law and makes estimates of the relative weight of the sources and methods of early American law. A main theme of his book is that colonial legislators and judges achieved a significant reform of the English criminal law at a time when a parallel movement in England failed. The analysis is made specific and concrete by statistics that show patterns of prosecutions and crime rates.

In addition to the exciting and convincing theme of a “lost period” of great creativity in American criminal law, Chapin gives a wealth of detail on statutory and common-law rulings, noteworthy criminal cases, and judicial views of how the law was to be administered. He provides social and economic explanations of shifts and peculiarities in the law, using carefully arranged evidence from the records. His treatment of the Quaker cases in Massachusetts and the witchcraft prosecutions in New England throws new light on those frequently misunderstood episodes. Chapin’s book will be of interest not only to scholars working in the field but also to anyone curious about early American legal history.

Sales Rank: #3126872 in Books
Published on: 2010-06-01
Released on: 2010-06-01
Original language: English
Number of items: 1
Dimensions: 9.00" h x .51" w x 6.00" l, .73 pounds
Binding: Paperback
222 pages

Review

In this spare, straightforward monograph, the roots of American criminal jurisprudence are sympathetically and convincingly examined. . . . Chapin’s work is a thoughtful and convincing reconstruction of a world we had almost forgotten.

(Peter Charles Hoffer Georgia Historical Quarterly)

Chapin’s book lends a new and worthy perspective by undertaking not just an analysis of criminal law and the criminal process in a single colony or region but in all of seventeenth-century America. . . . His study deserves high praise for ably describing an important area of colonial justice history.

(Journal of Southern History)

About the Author

Bradley Chapin (1924-1991) was the author of "The American Law of Treason: Revolutionary and National Origins" and "Early America," and editor of "Provincial America, 1600-1763."

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Sabtu, 11 Januari 2014

^^ Download Ebook Fields Watered with Blood: Critical Essays on Margaret WalkerFrom University of Georgia Press

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Representing an international gathering of scholars, Fields Watered with Blood―now available in paperback―constituted the first critical assessment of the full scope of Margaret Walker’s literary career. As they discuss Walker’s work, including the landmark poetry collection For My People and the novel Jubilee, the contributors reveal the complex interplay of concerns and themes in Walker’s writing: folklore and prophecy, place and space, history and politics, gender and race. In addition, the contributors remark on how Walker’s emphases on spirituality and on dignity in her daily life make themselves felt in her writings and show how Walker’s accomplishments as a scholar, teacher, activist, mother, and family elder influenced what and how she wrote.

A brief biography, an interview with literary critic Claudia Tate, a chronology of major events in Walker’s life, and a selected bibliography round out this collection, which will do much to further our understanding of the writer whom poet Nikki Giovanni once called “the most famous person nobody knows.”

Sales Rank: #3673218 in Books
Published on: 2014-04-25
Released on: 2014-04-25
Original language: English
Number of items: 1
Dimensions: 9.02" h x .86" w x 5.98" l, .0 pounds
Binding: Paperback
384 pages

Review
Given her self-prescribed role as a spiritual and intellectual leader―one her readers and reviewers gladly acknowledge―Walker’s penetrating analyses and carefully constructed images of black life in America bespeak an uncompromising commitment to the integrity of an African American world view, one she considered essential for ‘saving’ America from its own destruction. (Maryemma Graham and Deborah Whaley, from the Introduction)

About the Author
MARYEMMA GRAHAM is a professor of English and African American studies at the University of Kansas, where she directs the Project on the History of Black Writing. Among her books are two edited collections, On Being Female, Black, and Free: Essays by Margaret Walker, 1932-1992 and "How I Wrote Jubilee" and Other Essays on Life and Literature by Margaret Walker.

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** PDF Ebook Ethical Issues in College WritingFrom Brand: Peter Lang International Academic Publishers

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Ethical Issues in College Writing is the first systematic, book-length exploration of ethics in college writing. It includes essays by many of the most respected scholars in the field. The book should be of interest to writing teachers at universities, colleges, community colleges, and technical colleges across the country.

Sales Rank: #6237796 in Books
Brand: Brand: Peter Lang International Academic Publishers
Published on: 1999-11
Original language: English
Number of items: 1
Dimensions: 9.00" h x 5.75" w x .50" l, .84 pounds
Binding: Paperback
249 pages

Features

Used Book in Good Condition

About the Author
The Editors: Fredric G. Gale, Associate Professor of Writing and English at Syracuse University, earned his Ph.D. in English at the University of South Florida and his J.D. from the University of Wisconsin Law School. Professor Gale is the author of three books on writing and composition theory: Political Literacy, Teaching Legal Writing, and Writing the Winning Brief. He is also the editor of Composition Forum, a journal of composition pedagogy published by the Association of Teachers of Advanced Composition, and he has published articles, reviews, and essays in more than a dozen scholarly and professional journals.
Phillip Sipiora, who earned his Ph.D. in English at the University of Texas, is Associate Professor and Associate Chair of English at the University of South Florida. He is the author of many published articles and essays and is currently under contract for two books on the concept of Kairos.
James L. Kinneavy, who earned his Ph.D. at Catholic University of America, was the Blumberg Professor of English at the University of Texas. Professor Kinneavy is the author of nine books in the field of Rhetoric and Composition, including the landmark book, A Theory of Discourse. He has been the recipient of many honors during his 50-year career and is considered a father of modern rhetorical theory.

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2 of 2 people found the following review helpful.
Ethics in the Humanities
By A Customer
Ethical Issues in College Writing is one of the most substantive collections of essays dealing with the complex topic of ethics that I have ever read. All of the essays are informative, articulate, clearly written, and brimming with ideas. It is obvious that the editors chose major scholars for their contributors. Equally impressive is the range of the approaches, from clasical rhetoric to contemporary theory of the rhizoid. I strongly recommend this collection to anyone interested in the role of ethics in the humanities classroom. This book will establish itself as a major influence over the coming decades. As I teacher, I plan to assign some of the readings to my students.

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Kamis, 09 Januari 2014

** Free Ebook Black, White, and Green: Farmers Markets, Race, and the Green Economy (Geographies of Justice and Social Transformation Ser.), by Alison A

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Farmers markets are much more than places to buy produce. According to advocates for sustainable food systems, they are also places to “vote with your fork” for environmental protection, vibrant communities, and strong local economies. Farmers markets have become essential to the movement for food-system reform and are a shining example of a growing green economy where consumers can shop their way to social change.

Black, White, and Green brings new energy to this topic by exploring dimensions of race and class as they relate to farmers markets and the green economy. With a focus on two Bay Area markets―one in the primarily white neighborhood of North Berkeley, and the other in largely black West Oakland―Alison Hope Alkon investigates the possibilities for social and environmental change embodied by farmers markets and the green economy.

Drawing on ethnographic and historical sources, Alkon describes the meanings that farmers market managers, vendors, and consumers attribute to the buying and selling of local organic food, and the ways that those meanings are raced and classed. She mobilizes this research to understand how the green economy fosters visions of social change that are compatible with economic growth while marginalizing those that are not.

Black, White, and Green is one of the first books to carefully theorize the green economy, to examine the racial dynamics of food politics, and to approach issues of food access from an environmental-justice perspective. In a practical sense, Alkon offers an empathetic critique of a newly popular strategy for social change, highlighting both its strengths and limitations.

Sales Rank: #578499 in Books
Brand: Brand: University of Georgia Press
Published on: 2012-11-01
Released on: 2012-11-01
Original language: English
Number of items: 1
Dimensions: 9.00" h x .70" w x 6.00" l, .80 pounds
Binding: Paperback
224 pages

Features

Used Book in Good Condition

Review

Alkon’s deeply contextualized ethnography of two Bay Area farmers markets traces the transformation of local food and food justice movements from anticapitalist roots to neoliberal green growth agendas. Black, White, and Green is a must-read for those seeking to untangle the complexity of the ‘food movement’ and for those who believe we can buy and sell our way out of the environmental crisis.

(Kenneth A. Gould City University of New York)

Alkon provides readers with a strong sense of the dilemmas of the ‘green economy’ approach and with plenty of new knowledge about the strengths and weaknesses of local green economies and their (often hidden) dimensions of race and gender. Black, White, and Green is an excellent choice for classroom use in addition to having a more general appeal.

(Stella Capek Hendrix College)

Alkon’s timely study carefully highlights the strengths and weaknesses of farmers’ markets and, through them, the contradictions, compromises and exclusions inherent in the emerging green economy. Her rich historical and ethnographic study foregrounds food politics as a contested, deeply racialized, gendered, and class-based space in which meanings and messages, discourses and practices determine who participates. Only through an active cross-pollination of justice and sustainability, she argues, can a more just, inclusive green economy emerge.

(Julian Agyeman Tufts University)

Alison Hope Alkon investigates the possibilities for social and environmental change embodied by farmers markets and the green economy. . . . She mobilizes this research to understand how the green economy fosters visions of social change that are compatible with economic growth while marginalizing those that are not.

(Columns)

[Alkon’s] ethnographic work at two [farmers] markets yields important insights about race, class, food access, social justice, and sustainability (economic, environmental, and cultural). Though her fieldwork is confined to the Bay Area, Alkon’s findings can and should be heeded by farmers markets and related ‘food justice’ programs across the nation, including the South.

(Sara Camp Arnold Southern Register)

Black, White, and Green provides a fine survey of the politics revolving around farmers markets produce, and discusses sustainable food systems, environmental concerns, community involvement and local economies in context of the evolution of such markets. . . . Any social issues collector will find this an intriguing study.

(Midwest Book Review)

This text is often ethnographic, drawing from Alkon's lived experience and participant interviews. It challenges the way that visions of ethical consumerism and locavorism lead vendors and consumers alike to disregard inequalities.

(Book News)

Alkon ends her book with a few examples of campaigns born out of the green economy that have tried to impact political issues, including recent urban-based Farm Bill advocacy, the growth of green jobs, and the prevention of farm animal cruelty. The author . . . reminds us that things can change―as long as we keep on asking ourselves who is producing our food, who is selling it, who is able to buy what and, ultimately, who gains.

(Fabio Parasecoli Huff Post Green)

About the Author
Alison Hope Alkon is an assistant professor of sociology at the University of the Pacific. She is coeditor of "Cultivating Food Justice: Race, Class, and Sustainability."

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1 of 1 people found the following review helpful.
excellent overview of community movements
By Blue-collar mind
Good work from a farmers market advocate, especially the first few chapters outlining the beginnings of environmental and social justice movements around Oakland and Berkeley.

1 of 1 people found the following review helpful.
Black White and Green a must read
By michael alkon
insightful and provacative assessment of the "green economy"Delves into who gets what food in America and why. A must read for understanding our food choices

0 of 0 people found the following review helpful.
Five Stars
By Amazon Customer
A+

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