PDF Ebook Great and Noble Jar: Traditional Stoneware of South Carolina (Friends Fund Publication), by Cinda Baldwin
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Great and Noble Jar: Traditional Stoneware of South Carolina (Friends Fund Publication), by Cinda Baldwin
PDF Ebook Great and Noble Jar: Traditional Stoneware of South Carolina (Friends Fund Publication), by Cinda Baldwin
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In Great and Noble Jar, Cinda K. Baldwin offers the first authoritative study of South Carolina stoneware and traces the ways in which a rich regional tradition emerged from a unique cultural source.
As Baldwin notes, South Carolina's old legislative district of Edgefield (an area now comprising Edgefield, Aiken, and Greenwood counties) has long been recognized as the place of origin for an alkaline-glazing process that came to characterize pottery produced throughout the lower South. The process developed during the early nineteenth century after the poisonous properties of lead-glazed stoneware became known. Abner Landrum, a newspaper editor and scientific farmer, was probably the first to combine locally available materials with Chinese glaze formulas to produce this new and safer alkaline-glazed stoneware.
The plantation operations of the Edgefield District, Baldwin shows, created a demand for large-scale food storage and preservation, often in containers of huge capacity. In response to this need, an extensive system of family-owned stoneware factories emerged. Reflecting the contributions of the many slaves and freed blacks who worked in the industry, the objects produced in these factories often incorporated African designs and techniques. Particularly notable were the "grotesques," or "voodoo jugs"―wheel-thrown vessels onto which the slave potters applied facial features in molded clay. Baldwin pays special attention to the remarkable work of a slave potter named Dave, who marked his wares with brief verse inscriptions, including this one found on a large food-storage container: "Great & Noble Jar, /hold sheep, goat, and bear."
Tracing the tradition's history through the post-Civil War period and the first half of the twentieth century, Baldwin also examines South Carolina pottery outside the Edgefield District and analyzes a variety of decorative treatments and forms. She concludes with a consideration of the decline and renewal of the southern folk pottery tradition.
The book is illustrated with nearly two hundred photographs (including fifteen color plates), maps, and drawings. Complementing earlier studies that focused on Georgia and North Carolina pottery, Great and Noble Jar is a significant contribution to the understanding of this heritage.
- Sales Rank: #1678402 in Books
- Published on: 2014-04-01
- Released on: 2014-04-01
- Original language: English
- Number of items: 1
- Dimensions: 9.90" h x .80" w x 8.00" l, .0 pounds
- Binding: Paperback
- 264 pages
Review
Well documented and beautifully illustrated.
(South by Southeast) About the Author
CINDA K. BALDWIN has worked as registrar at McKissick Museum, the University of South Carolina. Her research for this project was supported by McKissick Museum and the National Endowment for the Humanities. The publication of this volume was supported in part by McKissick Museum.
Most helpful customer reviews
3 of 3 people found the following review helpful.
A must have for Southern Pottery collectors!
By D. Jones
Well written with super illustrations. A must have for anyone interested in Southern US Pottery, especially from SC!
1 of 1 people found the following review helpful.
Lovely book
By Ghost Brau
I bought this book for an art lesson I was doing on Face Jugs. This is a great book filled with information and images on the traditional pottery of South Carolina, and specifically Face Jugs.
0 of 0 people found the following review helpful.
Worth the price!
By dbirdie
While my initial reason for the purchase was that my second great grandfather, M.J. Durham, was in the index, I am more than pleased with the book for its extensive information about this little known industry. It is beautifully illustrated, has clear text, and has helpful maps, too. The information about M.J. Durham was not totally accurate, in that he was in Seguin, Texas, by 1862 ( from the CSA enlistment rolls) , but this book did give additional data of which I was unaware. I highly recommend this book to anyone interested in the history of southern pottery!
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