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Filled with sharp dialogue, engaging characters, and offbeat detail, the twelve stories collected in The Melancholy of Departure describe an outsider’s world of longing, disillusion, and survival, where hope is found in unexpected places and understanding comes from unlikely sources.
In “Hurley,” the title character is a would-be revolutionary who unsuccessfully tries to explain “the difference between erotica and violence against women” to a clerk at a pornography shop called The Fifth Wheel. “Florence Wearnse” centers on a spinster of the World War I generation who goes deaf “to escape the listening, so tired had she grown of stocks and bonds, whooping cough, motor cars, weddings, the Kentucky Derby.” A bizarre friendship between a former psychiatric war orderly with an interest in sadism and an obese mental patient who sublimates his needs by eating lemon meringue pie is featured in “Ralph and Larry.”
As the title of the collection suggests, many of the stories deal with loss or failed relationships. In “Voici! Henri!,” a story set in Paris, an aging Englishman contemplates life without his young lover, Henri, who has left Switzerland with a wealthy baron. “Let Me Tell You How I Met My First Husband, the Clown!” is a bittersweet rememberance of a Jewish woman’s first marriage to “Daniel Muldoon: One-Man Flying Circus,” a man she believes was “a sort of Ba’al Shem Tov with laughing children on his shoulders, a man whom God has put on this earth to show us the study of Talmud was not the only path.”
“At Home with the Pelletiers” chronicles the disintegration of a St. Louis family after the oldest son, Walter, returns home from Marine Corps boot camp during the Vietnam War. Younger brother Howard prefers the Jane Fonda he sees on the nightly news to the actress who played Barbarella and feels uncomfortably at odds with the militaristic Walter, whose stories about war atrocities and sex Howard finds frighteningly similar.
Fully aware of the dangers that await us all―loneliness, commitment, heartbreak, love―the men and women in this collection call out to us from the fringes of society; they are prophets whose messages fall on uninterested ears.
- Sales Rank: #2226503 in Books
- Brand: Brand: University of Georgia Press
- Published on: 2013-03-01
- Released on: 2013-03-01
- Original language: English
- Number of items: 1
- Dimensions: 8.50" h x .34" w x 5.50" l, .43 pounds
- Binding: Paperback
- 146 pages
- Used Book in Good Condition
Review
Lush and sophisticated. Heart and mind. Near and far-reaching. Stories that live longer than the duration of your reading them. Stories that live on after the book is closed. No fuller, finer fiction exists anywhere. This is literature. The gift.
(Carolyn Chute author of The Beans of Egypt, Maine)Sensitive studies of loss and survival.
(New York Times Book Review)A unique collection of short stories, all connected by themes of ending or loss and examining bittersweet, unsuccessful relationships. DePew's characters find commitment, sadness, and loneliness in their heterosexual and homosexual liaisons, but too often no one shares their pain. They manage to survive alone, with just a hint of understanding how things might have been. Sensitive and poetic, DePew feels his characters' pain and enables his audience to feel more acutely.
(Library Journal)DePew has impressive skills at hair-down narration and offhand wisdoms.
(Kirkus Reviews)The anniversary publication of one of my all-time favorite story collections is something to celebrate. The characters have held up beautifully over the years, in all their emotional complexity, their bone-deep humanity, their timeless missteps and triumphs.
(Monica Wood author of When We Were the Kennedys: A Memoir from Mexico, Maine) From the Back Cover
Filled with sharp dialogue, engaging characters, and offbeat detail, the twelve stories collected in The Melancholy of Departure describe an outsider's world of longing, disillusion, and survival, where hope is found in unexpected places and understanding comes from unlikely sources. In "Hurley", the title character is a would-be revolutionary who unsuccessfully tries to explain "the difference between erotica and violence against women" to a clerk at a pornography shop called The Fifth Wheel; "Florence Wearnse" centers on a spinster of the World War I generation who goes deaf "to escape the listening, so tired had she grown of stocks and bonds, whooping cough, motor cars, weddings, the Kentucky Derby". A bizarre friendship between a former psychiatric ward orderly with an interest in sadism and an obese mental patient who sublimates his needs by eating lemon meringue pie is featured in "Ralph and Larry". As the title of the collection suggests, many of the stories deal with loss or failed relationships. In "Voici! Henri!, a story set in Paris, an aging Englishman contemplates life without his young lover, Henri, who has left for Switzerland with a wealthy baron. "Let Me Tell You How I Met My First Husband, the Clown!" is a bittersweet remembrance of a Jewish woman's first marriage to "Daniel Muldoon: One-Man Flying Circus", a man she believes was "a sort of Ba'al Shem Tov with laughing children on his shoulders, a man whom God had put on this earth to show us the study of Talmud was not the only path". "At Home with the Pelletiers" chronicles the disintegration of a St. Louis family after the oldest son, Walter, returns home from Marine Corps boot camp during the Vietnam War. Youngerbrother Howard prefers the Jane Fonda he sees on the nightly news to the actress who played "Barbarella" and feels uncomfortably at odds with the militaristic Walter, whose stories about war atrocities and sex Howard finds frighteningly similar. Fully aware of the dangers that await us all--loneliness, commitment, heart-break, love--the men and women in this collection call out to us from the fringes of society; they are prophets whose messages fall on uninterested ears.
About the Author
A journalist for the "Vancouver Observer," Alfred DePew has taught at the Universities of Vermont and New Hampshire, the Maine College of Art, the Salt Center for Documentary Studies, and Haystack Mountain School of Crafts. He has lead creativity and leadership workshops throughout the U.S. and Canada. In 2008, he joined the faculty at the Center for Right Relationship, where he teaches organization and relationship systems coaching. In his private practice, he works with executive directors, physicians, school administrators, couples, artists, writers, and clergy in deepening their awareness, managing change and conflict, broadening their range, achieving personal and creative objectives, and realizing their leadership potential.
Most helpful customer reviews
1 of 1 people found the following review helpful.
Definitely a unique mix of themes!
By EpicFehlReader
First, a rundown of the stories:
1. "Let Me Tell You How I Met My First Husband, The Clown" -- A driven, goal-oriented woman falls in love with a clown (that's not a knock on his character, he's literally a professional clown).
2. "Stanley" -- Told in 2nd person POV (as in "you"), where the reader is asked to imagine themselves on a blind date who just seems too perfect, you expect something to be majorly wrong with him. The night turns into a regrettable one night stand.
3. "Voici! Henri" -- A glimpse into a moment in the life of a gay couple, Henri's boyfriend assumes Henri is about to dump him.
4. "Rita & Maxine" -- A tense working relationship between struggling theater director Rita and Maxine, an established stage actress who has recently come back home to the United States.
5. "Bettina In Love" -- a dancer / choreographer is struggling with having intense feelings for a male dancer, who may possibly be homosexual
6. "For If He Left Robert" -- a gay man contemplates leaving his lover while said lover sleeps
7. "Hurley" -- Ohhh, Hurley is a weird, weird dude. The story opens with him taking a suitcase into a porn shop, telling the staff that there's a bomb inside the suitcase. They offer him whatever he wants if he just doesn't detonate the bomb. Hurley contemplates using same tactic at grocery store. In between the two establishments, he has some bizarre run-ins with people he meets on the street. In the evenings, he likes to crash on his cot @ the YMCA, work on his scrapbook of newspaper articles of the most gruesome crimes and tragedies.
8. "What Do You Mean What Am I Doing?" -- one of my favorites in the collection, a hilarious first person narrative of someone snapping at someone else over this other person continually breaking the narrator's concentration.
9. "Ralph & Larry" -- The story of a friendship between a partially deaf, BDSM-lovin' homosexual and an asexual man struggling with binge eating disorder
10. "Beauty and the Beast" -- A unique, slightly bizarre take on the classic fairytale. Here, DePew strips the Beast of most of the human-like qualities he's typically given while also placing Belle & Beast in a sort of dystopian, futuristic setting around the castle. A little odd at first but there was something to it I ended up really liking.
11. "Florence Wease" -- A simple story regarding the passage of time over the course of the lives of two spinster sisters; starts in early 20th century moving over mid-late century.
12. "At Home With The Pelletiers" -- Teen Howard Pelletier's older brother Walter has just come home from Vietnam. Howard instantly sees that the brother he gets back is not the same one who left, Howard is trying to make the best of his brother's behavioral changes but is undoubtedly uneasy at times, unsure of how to move around Walter without setting him off.
Overall thoughts: As is often the case with short story collections, some of these I really loved, some were more just meh, some really had me scratching my head and deciding nope, not my thing. In general though, I like the variation of the stories and I do like DePew's writing style here, haven't read anything by him previously. A quick read of a collection that you can easily take a story or two at a time when you just need one of those brief breather moments during the otherwise hectic rush of the daily grind. I would say this would be a good little intro to people just wanting to dip their toes into short story fiction, as there's just enough quirkiness here to keep things interesting but it's not so out there that people new to the genre would be scared off.
0 of 0 people found the following review helpful.
Excellent collection of short stories
By D. Gillotte
Read this when it came out and was delighted to see it in softcover so I can recommend it to others to add to their collections!
Depew has a nice way with fringe-y characters who you can still identify with and feel for even in just a few pages. And he infuses enough humor to keep from falling into despair. And some of the titles are great like ``Let Me Tell You How I Met My First Husband, the Clown'' which sounds like a set up to a joke but ends up being much more than that.
0 of 0 people found the following review helpful.
I cannot recommend this too highly.
By Carol Louise
The author is vulnerable and self-disclosing. The book's word choice and structure are stunning. It's obvious why it won the Flannery O''Connor award. These are as good or better than her best. Thank you, Alfred dePew!
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