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Malin Pereira’s collection of eight interviews with leading contemporary African American poets offers an in-depth look at the cultural and aesthetic perspectives of the post–Black Arts Movement generation.
This volume includes unpublished interviews Pereira conducted with Wanda Coleman, Yusef Komunyakaa, Thylias Moss, Harryette Mullen, Cornelius Eady, and Elizabeth Alexander, as well as conversations with Rita Dove and Cyrus Cassells previously in print. Largely published since 1980, each of these poets has at least four books. Their influence on new generations of poets has been wide-reaching.
The work of this group, says Pereira, is a departure from the previous generation’s proscriptive manifestos in favor of more inclusive voices, perspectives, and techniques. Although these poets reject a rigid adherence to a specific black aesthetic, their work just as effectively probes racism, stereotyping, and racial politics. Unlike Amiri Baraka’s claim in “Home” that he becomes blacker and blacker, positioning race as a defining essence, these poets imagine a plurality of ideas about the relationship between blackness and black poetry. They question the idea of an established literary canon defining black literature. For these poets, Pereira says, the idea of “home” is found both in black poetry circles and in the wider transnational community of literature.
A Sarah Mills Hodge Foundation Publication.
- Sales Rank: #4633057 in Books
- Brand: Brand: University of Georgia Press
- Published on: 2010-12-01
- Released on: 2010-12-01
- Original language: English
- Number of items: 1
- Dimensions: 9.00" h x .65" w x 6.00" l, .94 pounds
- Binding: Paperback
- 260 pages
- Used Book in Good Condition
Review
There is nothing quite like hearing poets think out loud. This volume is a major testament to the lively discussions going on in black poetry today, and the publication of such a book is long overdue.
(Aldon Lynn Nielsen author of Integral Music: Languages of African American Innovation)The eight writers interviewed by Malin Pereira are key poets whose work is crucial in understanding how American poetry is one of the most dynamic literatures in the world. Each excellent interview gives fresh insight into the poet's work and examines how this active generation of writers has gone beyond a specific black aesthetic to address racism and its politics in a universal manner.
(Bloomsbury Review)Pereira has conducted interviews with some of the most important―really essential―voices of post-Black Arts Movement poetry, and encouraged them to talk in unguarded ways about living the ‘poet’s life’ in an ever-evolving American racial landscape. Revealing, startling, and just downright fascinating, Into a Light Both Brilliant and Unseen will become an instant classic―a go-to sourcebook for scholars, students, and fans of contemporary African American poetry.
(Honorée Fanonne Jeffers author of Outlandish Blues) About the Author
Malin Pereira is a professor and chair of the Department of English at the University of North Carolina, Charlotte. She is the author of "Rita Dove's Cosmopolitanism" and "Embodying Beauty: Twentieth-Century American Women Writers' Aesthetics."
Most helpful customer reviews
1 of 2 people found the following review helpful.
Too Bad There Isn't More Risk Here
By DBetts
While this collection of essays is pretty expansive, covering most of the major African American poets over the past few decades, there is little here that couldn't be found elsewhere. By far Wanda Coleman's interview was the most interesting, but this is likely because it was the most provocative. The one essay where the questions and answers didn't appear, if not scripted, ready made. There are endless opportunities to say something thought provoking here, and unfortunately few seem to have been taken. Which is not to say this isn't a good collection for someone unfamiliar with the writings of the author's collected. But if one has read several essays with Yusef Komunyakaa, or Rita Dove, or Elizabeth Alexander or Cornelius Eady, little will be revealed here. That, in a way, is unfortunate, as there is always so much these brilliant writers can say.
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