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In these nine evocative essays, Barbara Hurd explores the seductive allure of bogs, swamps, and wetlands. Hurd's forays into the land of carnivorous plants, swamp gas, and bog men provide fertile ground for rich thoughts about mythology, literature, Eastern spirituality, and human longing. In her observations of these muddy environments, she finds ample metaphor for human creativity, imagination, and fear.
- Sales Rank: #1215967 in Books
- Brand: Brand: University of Georgia Press
- Published on: 2008-06-01
- Released on: 2008-06-01
- Original language: English
- Number of items: 1
- Dimensions: 8.25" h x .42" w x 5.50" l, .45 pounds
- Binding: Paperback
- 160 pages
- ISBN13: 9780820331522
- Condition: New
- Notes: BRAND NEW FROM PUBLISHER! 100% Satisfaction Guarantee. Tracking provided on most orders. Buy with Confidence! Millions of books sold!
From Publishers Weekly
Essayist Hurd posits that the creative spirit thrives in "the sodden ground of swamps where the profusion of growth defies the old image of a wasteland." Judging from this collection of imaginative, evocative essays inspired by Maryland's Finzel and Cranesville swamps, she may be right. Vivid, unusual analogies ("trying to define the edges of a swamp is like trying to put a neatly folded shadow into a dresser drawer") and clever parallels between swamp and human life provide lively and engaging reading. Reflecting on the prevalence of animal-like plants in the swamp, for instance, Hurd infers that "there's a camaraderie here, a tolerance for hybrids and mongrels, a kinship among the patrons of an all-night, half-sunken bar for cross-dressers." Knitting together such diverse subjects as Buddhist philosophy, mythology and her own childhood, Hurd evokes the landscape through a series of unexpected and sometimes fascinating physical and mental wanderings. A pair of shoes left behind in the swamp prompts musings on the allure and taboo of mud. A trip through the New Orleans bayous yields insights into the elusiveness of our thoughts and our very identities. A late fall foray into the swamp in search of a bear becomes a consideration of longing. Hurd's reflective style makes for a relatively slow pace, and the occasional digressions can seem forced. But her musings are poetic, and her loving descriptions of the wetland world will likely convince some readers that there are universal truths lurking out there in the mud and mire.
Copyright 2001 Cahners Business Information, Inc.
From The New Yorker
Swamps and bogs and their mysterious ambiguity––their perch between liquid and solid––hold a peculiar fascination for Hurd, a naturalist and poet who lives near Maryland's Finzel Swamp. Delving into these wetlands, she finds in their array of strange fauna and flora an objective correlative to the place in the mind where artistic inspiration occurs: a place of blurred borders, shifting identity, and strange odors, of rot and death, of Zen peacefulness. "To love a swamp," she writes, is to love "what shoulders its way out of mud and scurries along the damp edges of what is most commonly praised."
Copyright © 2005 The New Yorker
Review
Hurd is a consummate naturalist, writing with the grace and precision of a Peter Matthiessen or an Annie Dillard, but she is also remarkably curious about human nature, spinning her discussion to bring in Joseph Campbell, the I Ching, and Thomas Edison. . . . One moment you're holding a bog turtle in the palm of your hand or watching a dragonfly unfold its wings, and the next you're learning how Monet went about exhibiting his water lily canvases in 1922 or why the cold acidic water of peat bogs so perfectly preserves a body. . . . It is a measure of her skill that she steps among these elements so effortlessly, and it is a measure of her ambition that keeps the aperture of her camera wide open to capture what might otherwise have laid hidden in the dark.
(Los Angeles Times)Delving into these wetlands, she finds in their array of strange fauna and flora an objective correlative to the place in the mind where artistic inspiration occurs: a place of blurred borders, shifting identity, and strange odors, of rot and death, of Zen peacefulness.
(New Yorker)Hurd writes about people with the canny poise of Cheever, and about nature with the loving exactitude of Thoreau. And everywhere in her work is a speculative energy and elegance that make her essays a rare achievement.
(J. D. McClatchy author of Hazmat)Hurd's elegant, effortless prose is a surefooted guide through the wetlands she loves: the liminal zones, the borderlands that aren't quite earth or water. This engaging book takes us deep into the swamp, both into the physical place and into its literary and mythic dimensions. Language, after all, is a swamp too―a meeting place, a fertile territory of depths and of origins. Stirring the Mud is a smart, singular enchantment.
(Mark Doty author of Dog Years)Hurd's poetic inquiry into the life and margins of marshy terrain takes us on a magic-filled metaphorical mystery tour of human desire.
(Utne Reader)But Stirring the Mud is not just―even primarily―a natural history. It's about swamps as springboard for the imagination, inviting meditations on the nature of our lives.
(The Sun)Hurd has the sharp eye of the essayist, the naturalist's feel for place and the poet's for metaphor. . . . The essays have deep reach. Like all the best such works (Annie Dillard, David Quammen and, of course, Thoreau), they make you reassess the way you look at something you thought was familiar. . . . Hurd's savory gumbo includes backward glances at her own childhood and forays into religion and myth, issuing in a synaesthetic series of deeply felt impression and surprising meanders. . . . The marriage of wonder with language, of muck with metaphor, is beautifully controlled.
(Toronto Globe and Mail)Hurd's essays reverberate with an intimate, reverent understanding of nature, history, and art. The bog―metaphoric, historic, actual―has its large life here, in a book that is gracefully written and fully imagined.
(Jane Brox author of Clearing Land)Most helpful customer reviews
5 of 6 people found the following review helpful.
Luminous Mud
By Nick Graham
"Stirring the Mud" is a series of masterful essays that wade - literally and figuratively - through sometimes fetid, always dank and uncertain territory. Hurd's tapestry of remarkable facts, fascinating lore, her own exploration of the physical world, personal recollection, spiritual journey, and elegant, luminous prose create a magic carpet flight that endures. There is nothing easy about truly entering the natural world. Like every other living thing, one earns ones momentary place, and the dangers and gifts that may be found lead us always right to the edges of ourselves. This book is a fine companion for those who are hungry for that edge, or anyone who loves a great ride of the spirit. I wholly recommend this book.
0 of 0 people found the following review helpful.
Rich reading for any time and place.
By Jeff Dahlseid
Love this book!
1 of 2 people found the following review helpful.
Stirring the Mud
By Peggy Kassees
Barbara Hurd writes with a poet's instinct. She had a way of crafting the words that bring to mind the damp smell of the forest floor, the beauty that is nature.
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