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WINNER of the 2012 Flannery O'Connor Award
WINNER of a 2012 ForeWord Book of the Year Award
FINALIST for the Edmund White Award for Debut Fiction
FINALIST for the Lambda Literary Award for LGBT Debut FictionNAMED a Best Indie Book of 2013 by KIRKUS
WINNER of the 2014 GLCA New Writers Award for Fiction
In this funny, brainy, thoroughly engaging debut collection, an award-winning writer looks at romance through the lens of scholarly theories to illuminate love in the information age.
In ten captivating and tender stories, E. J. Levy takes readers through the surprisingly erotic terrain of the intellect, offering a smart and modern take on the age-old theme of love--whether between a man and woman, a man and a man, a woman and a woman, or a mother and a child--drawing readers into tales of passion, adultery, and heartbreak. A disheartened English professor's life changes when she goes rock climbing and falls for an outdoorsman. A gay oncologist attending his sister's second wedding ponders dark matter in the universe and the ties that bind us. Three psychiatric patients, each convinced that he is Christ, give rise to a love affair in a small Minnesota town. A Brooklyn woman is thrown out of an ashram for choosing earthly love over enlightenment. A lesbian student of film learns theories of dramatic action the hard way--by falling for a married male professor. Incorporating theories from physics to film to philosophy, from Rational Choice to Thorstein Veblen's Theory of the Leisure Class, these stories movingly explore the heart and mind--shooting cupid's arrow toward a target that may never be reached.
- Sales Rank: #216804 in Books
- Brand: Brand: University of Georgia Press
- Published on: 2012-09-15
- Released on: 2012-09-15
- Original language: English
- Number of items: 1
- Dimensions: 8.50" h x .90" w x 5.50" l, .95 pounds
- Binding: Hardcover
- 224 pages
- Used Book in Good Condition
Review
"Levy’s award-winning short story collection masterfully explores the vagaries of romantic love…[in] 10 lyrical gems…. A smart, insightful collection of stories about life and love." (Kirkus, starred review)
"A master of [the] form... Levy is skilled at bringing [her] characters to life, each story searingly made real through [her] subtlety and fastidious attention to detail." (Publishers Weekly)
"...a readable, addictive collection of stories about love, lust, loss, and loneliness." (The Picky Girl.com)
"Levy's artful debut story collection finds varied characters—young and old, male and female—confronting the ornery manifestations and delusions of modern love. . . . Levy's 10 engaging stories speak to the sorcery of the heart." (Booklist)
"[I]ndulge with this clever recipe of intelligent romance." (Sarah Barr, VOX magazine)
"I would compare Ms. Levy's style in these stories to Lorrie Moore - who is also among my favorite writers...these were really, really good….I hope we see much more of E.J. Levy's writing. She is a talent to watch." (The Betty & Boo Chronicles)
"A brilliant debut . . . Sad, funny, and always wise, Levy’s stories reveal truths about how we love and lose, trust and betray, with an intelligence that takes my breath away. I’ll be returning to these wonderful stories again and again." (Cheryl Strayed)
"E.J. Levy’s stories brilliantly and winningly reveal the human heart as it strives to measure its own beating through love. Love, in Theory is a collection richly worthy of Flannery O’Connor’s name." (Robert Olen Butler)
"This debut collection . . . is wholly beguiling and authoritative, an instruction from first page to last." (Nicholas Delbanco)
"Selfishness has never been sent up as mordantly as it is in E. J. Levy’s debut collection of stories."(Andrew Holleran)
"This is a smart, smart book."(Roxane Gay)
"Levy keeps her focus on failed romance...[going] deeper than the outlines, down into the details...[of] the girl-talk repertoire." (New York Times)
About the Author
E. J. LEVY’s work has appeared in the Paris Review, the Missouri Review, Gettysburg Review, the New York Times, and Best American Essays and has received a Pushcart Prize and Nelson Algren Finalist Award among other honors. She is also the author of the memoir Amazons: A Love Story and editor of Tasting Life Twice: Literary Lesbian Fiction by New American Writers, which won the Lambda Literary Award. Levy teaches in the MFA Program at Colorado State University.
Most helpful customer reviews
9 of 9 people found the following review helpful.
I loved this collection. (Not in theory, either, but for real.)
By Unabridged Chick
You know how when you meet someone, and you immediately decide they're a total snob and you hate their guts, and then you spend more time with them and you realize you were totally wrong and this person is actually wildly cool, and now you've got to backpedal to all your friends about how that person is actually not as awful as you originally said...? Well, that's exactly my experience with this book.
On Friday I blogged about how I was kind of on the fence about this book because there's adultery and a lesbian who falls for a married man, and I definitely had my eyeballs rolling as I opened the first page. Ooops.
I loved this collection. (Not in theory, either, but for real.)
Every story was like, I don't know, something delectable and redolent. Be it a piece of chocolate or a slice of cake or a gorgeous aria -- Levy's writing sucked me in from the first line and I wanted to savor her stories, linger with them.
The characters felt real, immediately, their emotional state familiar and resonant, and their challenges and conflicts achingly, uncomfortably articulated. In the much feared 'Theory of Dramatic Action', with the lesbian and married man, I found a character I could relate to and understand, and a poignant situation that made me tear up a little. The volume's opening story, 'The Best Way Not to Freeze', about a woman's first real love, was so good I read it twice, then read it to my wife, then to a friend. After that, when I started reading 'The Three Christs of Moose Lake, Minnesota' to my wife, she just took the volume from my hands to inhale on her own. (I raced through this book in one night, then reread almost all the stories over the following two days.)
I have to stop saying I dislike short fiction because clearly, I do like it. These snapshots of relationships, of people, of emotional landscapes are as satisfying as a chunky novel. Maybe more so -- they're like the first bite of a fabulous meal. You want the taste to linger, but it disappears. The next story, the next bite, is just as intriguing. The only perk is, after glutting myself on Levy's book, I still wanted more.
4 of 4 people found the following review helpful.
Deep and thoughtful
By Tiffany A. Harkleroad
Love is never simple. Sometimes love means sacrifice. Sometimes love means forgiveness. Sometimes love can not be conform to social constraints. Sometimes love is temporary. In this collection of short stories, we are are able to view love in many forms, new love, lost love, destroyed love, and theoretical love.
This collection of short stories is unlike anything I have ever read. These stories are so smart, so deep, so powerful. Not all literature needs to be highly intellectual in order to be good, but it just so happens that this particular collection is so intellectual, so philosophical, I had to consume these stories on a one by one basis, reflecting on each one before moving on to the next.
The characters on these stories are raw and real. I see so much of myself, and the people I know, in the variety of characters and situations in these stories. I really appreciate the fact that a wide variety of love and romantic situations are explored, heterosexual, homosexual, fidelity and infidelity, the complexity of love intersecting with religious faith. We see several themes reoccurring across different stories, but playing out differently depending on the story.
I find Levy to be an incredibly gifted writer. I was amazed with each story in this collection. If you are someone who typically does not like short stories, I encourage you to still give this book a chance, as it is far from typical. I found more depth and meaning in just one of these stories than I have found in some full length novels. I really think this book will appeal to many readers.
I received a review copy of this book courtesy of TLC Book Tours, in exchange for an honest review
2 of 2 people found the following review helpful.
How Love is Lost
By Roger Brunyate
Don't open this book expecting happy endings. Of the ten stories in the collection, only one ends in anything much more promising than resigned acceptance. I won't give the name of that one exception, but here is its last sentence: "You will be full of hope, will take it on faith that she will be there, waiting for you, with open arms, believing briefly, fervently, though you know it only happens in the movies, that yours will be a Happy Ending." Well, maybe it will; there is always that possibility. The giveaway phrase, though, is "you know it only happens in the movies." Most of E. J. Levy's characters believe that there is little chance of permanent success in the real world, but even the brief periods of contentment are worth much -- a fact that stops the book from being entirely depressing; very few of the characters have become cynical.
Many of the stories begin with the recent loss of a lover; a few others end with one. There are often flings with other people along the way, briefly welcome or immediately regretted, but they are never the focus. The prevailing tone is elegiac: an almost pastoral lament for a lost idyll; it is a literary mode that has always attracted me. Most of the characters are around what I presume to be the author's age and situation: well-educated thirty-somethings working as adjunct instructors at a university, or something very similar. But the exceptions (most of which come towards the end of the book) are striking. The protagonist of "The Three Christs of Moss Lake, Minnesota," for example, is an orderly in a mental hospital. Those of "Theory of the Leisure Class" are an older couple on a birding tour of Costa Rica, feeling greatly superior to an obnoxious younger pair, until a glimpse of them on the dance floor suddenly makes them reevaluate the fifty years of their own marriage. Another story, "Gravity," is set at a synagogue wedding in Minneapolis, where family tensions lead to the reevaluation of two other relationships: those of the bride's now-separated parents, and of her gay brother.
Yes, gay. As the design on the cover so wittily suggests, Levy's relationships of love and heartbreak take place between women and men, but also men and men, and women and women. With the exception of one brief scene of graphic bondage, the gender combinations make surprisingly little difference; these are just people like ourselves. But by the same token, I don't think I will be remembering them very long either. Except for one extraordinary story (again, I won't say which it is) that leads you deeper and deeper into a triangle situation until you suddenly realize that the assumption you had made about the gender of one of the characters may well be wrong. It is a marvelous piece of narrative sleight-of-hand that I shall not quickly forget at all.
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