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In the eleven kaleidoscopic stories that make up Bright Shards of Someplace Else, Monica McFawn traces the combustive, hilarious, and profound effects that occur when people misread the minds of others. The characters―an array of artists, scientists, songwriters, nannies, horse trainers, and poets―often try to pin down another’s point of view, only to find that their own worldview is far from fixed.
The characters in McFawn’s stories long for and fear the encroachment of others. A young boy reduces his nanny’s phone bill with a call, then convinces her he can solve her other problems. A man who works at a butterfly-release business becomes dangerously obsessed with solving a famous mathematical proof. A poetry professor finds himself entangled in the investigation of a murdered student. In the final story, an aging lyricist reconnects with a renowned singer to write an album in the Appalachian Mountains, only to be interrupted by the appearance of his drug-addicted son and a mythical story of recovery.
By turns exuberant and philosophically adroit, Bright Shards of Someplace Else reminds us of both the limits of empathy and its absolute necessity. Our misreadings of others may be unavoidable, but they themselves can be things of beauty, charm, and connection.
- Sales Rank: #1024151 in Books
- Brand: Mcfawn, Monica
- Published on: 2014-09-15
- Released on: 2014-09-15
- Original language: English
- Number of items: 1
- Dimensions: 9.00" h x 5.75" w x .50" l,
- Binding: Hardcover
- 176 pages
Review
Winner of the Flannery O'Connor Award for Short Fiction, McFawn's debut employs different narrative voices to create something singular. . . . McFawn approaches each story differently, not as an author imposing a single voice on disparate narratives but as an artist listening to her characters and finding the particular voice each one requires. . . . McFawn's empathy is astounding. . . . The rarest kind of literary debut―unpredictable and moving. (Kirkus Reviews (starred review))
In eleven short stories, McFawn explores the contradictions of varied characters and their skewed perspectives toward one another and themselves. . . . McFawn's tales shine when characters, both resolute and misguided, brace for the flawed truths of their predicaments. (Leah Strauss Booklist)
Bright Shards of Someplace Else is Monica McFawn's first collection of short stories, and it's already won this year's Flannery O'Connor Award for Short Fiction. Perhaps it was her idiosyncratic voice, or her flair for distinctive characters that the judges recognized. Or maybe it was her empathetic power. Either way, McFawn has talent. In these eleven stories she manages to range from fantastic to satiric to poignant. (Jane Ciabattari NPR Books)
Lovers of fiction will enjoy plunging headfirst into an offbeat collection of thought-provoking short stories. . . . The eleven stories are simultaneously quirky and achingly resonant. . . . Discover: A Flannery O'Connor Award-winning collection of short stories from an intriguing new voice in fiction. (Natalie Papailiou Shelf Awareness)
Bursts of insight illuminate these carefully crafted tales; McFawn somehow wrenches the deepest humanity out of even the most unlikable characters. (Publishers Weekly)
Every good story makes the reader see the world in a different way, but McFawn helps us to see differently on every single page. She writes with an inventiveness and precision that startles, entertains, and convinces: of course that's what snow is like, or a dead horse, or an aggrieved father. Her stories are fresh and often wonderfully strange but also deeply insightful and emotionally complex. McFawn's effervescent writing helps us both to see anew and to recognize ourselves. (Caitlin Horrocks This Is Not Your City)
What a strange and wondrous band of misfits, isolatos, geniuses, and obsessives of every stripe populates Monica McFawn's Bright Shards of Someplace Else. Her specializing in such types and their crazy experiments tells us that McFawn is a romantic, not of the love and nature type but of the Mary Shelley and Frankenstein type. Her protagonists choose trouble, even bad trouble, every time, because the alternative―which they see only too clearly―is the yawn of nothing at the far edge of the possible. (Jaimy Gordon, National Book Award Winner Lord of Misrule)
With a watchmaker's precision, Monica McFawn crafts stories that tick and build slowly toward seemingly inevitable yet not-quite-arrived-at resolutions: a new supervisor puts off―again and again―firing a problem employee; the victim of a warehouse robbery beating crawls slowly toward a phone; two veterinarians make separate journeys to treat a gravely injured pony. Each scenario offers a Jamesian immersion into character consciousness that teems with delight and discovery and surprise. Like some newly discovered newt or loris that alters our view of an entire species, this book is strange and thrilling and very beautiful. I loved these stories. (Daniel Orozco Orientation and other Stories)
About the Author
MONICA McFAWN lives in Michigan and teaches writing at Grand Valley State University. Her fiction has appeared in the Georgia Review, Gettysburg Review, Web Conjunctions, Missouri Review and others. She is also the author of a hybrid chapbook, "A Catalogue of Rare Movements" and her plays and screenplays have had readings in Chicago and New York.
Most helpful customer reviews
1 of 1 people found the following review helpful.
A Stunning Collection
By Abigail Rose
Bright Shards of Someplace Else is a brilliant collection of short stories. Monica McFawn has the ability to create stories rich with complexity and intrigue. Her characters, an eclectic cast of misfits and obsessives, are relatable, sympathetic, and memorable.
McFawn has her own unique style that filters through every page of this book. Her language is, at times, humorous, yet poetic. I was excited about every piece in this collection, and found myself thinking about many of the stories days after I had finished the last line. This is a collection I will read again and again.
1 of 1 people found the following review helpful.
Monica McFawn manages to create some excellent reductions in these pages
By Douglas Young
This book has a quite unexpected and delightfully unique flavor. Short stories are distilled essences; Monica McFawn manages to create some excellent reductions in these pages. As a math teacher, I was especially entranced by her take on numbers and the fascination some people have with them.
I guarantee you will read each story to the end, and have a very vivid picture in your mind of exactly what is happening. And it won't be predictable. Which is the best compliment I can give a writer. :)
0 of 0 people found the following review helpful.
A unique, cerebral story collection by a truly gifted writer...
By Larry Hoffer
One thing I love so much about reading short stories is stumbling upon story concepts and characters I haven't seen before, and of course, finding beautiful writing. Both were on display in Monica McFawn's collection Bright Shards of Someplace Else.
The characters that populate McFawn's stories are all different—a nanny and her precocious charge, a boss tasked with firing a problem employee, a pompous scientist and the art critic that comes into his circle, a pair of horse trainers and vets—but there is such heart at the core of each of the stories. And each story chronicles a need of some sort—some far more obsessive than others.
My two favorite stories bookend the collection. The first, "Out of the Mouths of Babes," follows a nanny who finds her new charge has a remarkable facility with making phone calls, so she tasks him with helping her solve a few problems. The final story in the collection, "The Chautauqua Sessions," chronicles an aging lyricist whose reunion with his former musical partner is waylaid by his drug addict son, and the lengths he goes to keep his son from affecting his inspiration. A few other stories I enjoyed included: "The Slide Turned on End," which follows a pompous scientist inspired by the intersection of art and science, and the art critic who becomes a somewhat unwilling participant in his work; "Line of Questioning," in which a poetry professor is questioned by police about his relationship with a former student; and "Key Phrases," which follows a fairly new supervisor at a company who is tasked with firing a problem employee.
McFawn, who won the Flannery O'Connor Award for Short Fiction, is a truly gifted writer. There were times, honestly, where her use of language and imagery actually hooked me more than the story's plot itself. Here is one example, from "Line of Questioning":
"Theirs was a comfortable relationship of light mutual contempt that drummed on them bracingly like a light rain when they were together. The old demons of their relationship were soggy but still smelled alluringly like hellfire."
This collection was a bit more cerebral at times than I'm used to with short stories, so I didn't always warm to the plot or the characters. But when I did, I realized what a talent McFawn has, and I look forward to seeing it continue to develop in the future.
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