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Thomas Pynchon helped pioneer the postmodern aesthetic. His formidable body of work challenges readers to think and perceive in ways that anticipate―with humor, insight, and cogency―much that has emerged in the field of literary theory over the past few decades. For David Cowart, Pynchon’s most profound teachings are about history―history as myth, as rhetorical construct, as false consciousness, as prologue, as mirror, and as seedbed of national and literary identities.
In one encyclopedic novel after another, Pynchon has reconceptualized historical periods that he sees as culturally definitive. Examining Pynchon’s entire body of work, Cowart offers an engaging, metahistorical reading of V.; an exhaustive analysis of the influence of German culture in Pynchon’s early work, with particular emphasis on Gravity’s Rainbow; and a critical spectroscopy of those dark stars, Mason & Dixon and Against the Day. He defends the California fictions The Crying of Lot 49, Vineland, and Inherent Vice as roman fleuve chronicling the decade in which the American tapestry began to unravel. Cowart ends his study by considering Pynchon’s place in literary history.
Cowart argues that Pynchon has always understood the facticity of historical narrative and the historicity of storytelling―not to mention the relations of both story and history to myth. Thomas Pynchon and the Dark Passages of History offers a deft analysis of the problems of history as engaged by our greatest living novelist and argues for the continuity of Pynchon’s historical vision.
- Sales Rank: #1512973 in Books
- Published on: 2012-01-15
- Released on: 2012-01-15
- Original language: English
- Number of items: 1
- Dimensions: 9.00" h x .90" w x 6.00" l, .80 pounds
- Binding: Paperback
- 224 pages
Review
Soon it will be fifty years since the debut of Thomas Pynchon's award winning first novel V., in 1963. During those decades this famous writer has succeeded doggedly and amazingly in the task of secreting himself and his private life from the public eye and has published six more novels, a collection of short fiction, and various bits and blurbs of prose. With that anniversary Pynchon will turn seventy-six. The time is nigh, then, for critics to reckon with the body of his work, its place in the history of American literature, and of the novel. Cowart is certainly the one to do that work.
(Steven Weisenburger author of A Gravity's Rainbow Companion)With his 1980 Thomas Pynchon: The Art of Allusion, David Cowart produced one of the earliest sustained scholarly studies of Pynchon's fiction, and his work has remained among the best of its kind: not only intelligent, learned, and sophisticated, but also graceful, charming and accessible. Here he takes Pynchon's historical imagination and projects as his central focus, understanding them as integral to, not at odds with, Pynchon's manifest postmodernism. The Pynchon he constructs is politically engaged and something of a humanist, with a decidedly if ambiguously spiritual bent. To do justice to all these facets of a complex author is quite an achievement. This book is the real thing.
(John M. Krafft Miami University)In this concise, jargon-free study, Cowart elucidates Pynchon’s postmodernist grappling with history in all seven of his novels and in his short stories, journalism, and ephemera. . . .This study will be extremely useful for beginning readers of America’s greatest living historical novelist and a pleasure for all experienced critics as well.
(Choice )Pynchon’s work has always attracted superior intellects, and one of the field’s best, David Cowart, shares his insights in Thomas Pynchon and the Dark Passages of History. . . . [T]he great contribution Cowart’s study makes is extending his thesis to Pynchon’s California novels in a way that lets readers see how they are central to the author’s career rather than marginal as some scholars have assumed.
(American Literary Scholarship) About the Author
In one encyclopedic novel after another, Thomas Pynchon has reconceptualized historical periods that he sees as culturally definitive. Examining Pynchon's entire body of work, David Cowart offers an engaging, metahistorical reading of V.; an exhaustive analysis of the influence of German culture in Pynchon's early work, with particular emphasis on "Gravity's Rainbow"; and a critical spectroscopy of those dark stars, "Mason & Dixon" and "Against the Day." He defends the California fictions "The Crying of Lot 49," "Vineland," and" Inherent Vice" as" roman fleuve" chronicling the decade in which the American tapestry began to unravel.
Most helpful customer reviews
8 of 9 people found the following review helpful.
Highly recommended
By Arthur Maisel
This is a wonderful book that manages to balance scholarly professionalism with a more personal approach to the work of Thomas Pynchon. Scholars often seem to feel the need to hide their emotional connections to what they study. Perhaps they have been made to feel that their "objectivity" will be affected by their love---that may in fact be true---but criticism is not hard science and even scientists must be attracted to what they study to devote so much time and energy to it. Maybe the ideal for a scholar is what's called "tough love" between people: that is, the kind of deep commitment that demands honesty.
Cowart seems to have been drawn into literary criticism by Pynchon's writing, which he has been reading and thinking about from the beginning of Pynchon's career with V. He is a remarkable reader. Widely informed by theory (of course), he is able to keep to the fore what is the primary experience: the confrontation between the reader and the writer's words. He is an excellent writer himself, with the wit and the wide range of reference that Pynchon requires.
I have read quite a bit of Pynchon criticism (and even felt the need to write about his writing a couple of times). I think Cowart belongs in the same company as the best Pynchon critics, such as his onetime mentor, the late Richard Poirier.
If you are the kind of reader who wants "what Pynchon is getting at" explained, this may not the book for you (though it does address his themes with great clarity and subtlety)---because if that's the case, maybe you shouldn't be reading Pynchon anyway. If you are part of the "cult" and most interested in deciphering the arcane references in the books, you will find this book disappointing (though there are some well-informed examples here of that approach)---because Cowart is much more interested in Pynchon as an artist than as a fabricator of puzzles.
It may seem paradoxical to say so, but if you are the kind of reader who appreciates Pynchon as a great writer and wants to know what someone like yourself thinks---someone who has, however, devoted much more time to the pursuit than you have---then I think you will want to read this book.
0 of 12 people found the following review helpful.
I should have known better.
By Melissa Dooley
I'm sorry, Mr. Pynchon. I should have known better.
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