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Faulkner and the Great Depression: Aesthetics, Ideology, and Cultural Politics, by Ted Atkinson
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“Remarkably,” writes Ted Atkinson, “during a period roughly corresponding to the Great Depression, Faulkner wrote the novels and stories most often read, taught, and examined by scholars.” This is the first comprehensive study to consider his most acclaimed works in the context of those hard times.
Atkinson sees Faulkner’s Depression-era novels and stories as an ideological battleground―in much the same way that 1930s America was. With their contrapuntal narratives that present alternative accounts of the same events, these works order multiple perspectives under the design of narrative unity. Thus, Faulkner’s ongoing engagement with cultural politics gives aesthetic expression to a fundamental ideological challenge of Depression-era America: how to shape what FDR called a “new order of things” out of such conflicting voices as the radical left, the Popular Front, and the Southern Agrarians.
Focusing on aesthetic decadence in Mosquitoes and dispossession in The Sound and the Fury, Atkinson shows how Faulkner anticipated and mediated emergent sociocultural forces of the late 1920s and early 1930s. In Sanctuary; Light in August; Absalom, Absalom!; and “Dry September,” Faulkner explores social upheaval (in the form of lynching and mob violence), fascism, and the appeal of strong leadership during troubled times. As I Lay Dying, The Hamlet, “Barn Burning,” and “The Tall Men” reveal his “ambivalent agrarianism”―his sympathy for, yet anxiety about, the legions of poor and landless farmers and sharecroppers. In The Unvanquished, Faulkner views Depression concerns through the historical lens of the Civil War, highlighting the forces of destruction and reconstruction common to both events.
Faulkner is no proletarian writer, says Atkinson. However, the dearth of overt references to the Depression in his work is not a sign that Faulkner was out of touch with the times or consumed with aesthetics to the point of ignoring social reality. Through his comprehensive social vision and his connections to the rural South, Hollywood, and New York, Faulkner offers readers remarkable new insight into Depression concerns.
- Sales Rank: #4062661 in Books
- Brand: Brand: University of Georgia Press
- Published on: 2006-01-03
- Released on: 2006-01-03
- Original language: English
- Number of items: 1
- Dimensions: 9.00" h x .90" w x 6.00" l, 1.21 pounds
- Binding: Hardcover
- 288 pages
- Used Book in Good Condition
Review
Faulkner certainly was more engaged with this time and place than many critics in the past have given him credit for. It's refreshing to read a work that reminds us that Faulkner was not, after all, writing in splendid isolation but was acutely aware of the political and economic issues of the day and the ways those issues played out in popular culture.
(Susan V. Donaldson author of Competing Voices: The American Novel, 1865–1914)Atkinson offers a solid contemporary ideological but aesthetically sensitive examination of the relationship of Faulkner's fiction, especially works from the 1930s, to the political, social, cultural, and economic issues of the Great Depression. Others have written about this topic, one that is ripe for exploration, but no one until Atkinson has produced such a sustained meditation on it.
(Philip Cohen University of Texas at Arlington)Atkinson resituates Faulkner's major work in the historical and cultural context of a Great Depression characterized not just by the iconography of dust bowls and bread lines but by Hollywood films about gangsters and mobs, by a resurgence of Civil War representations, by political arguments pitting the ideology of self-reliance against the bureaucratic machinery of relief, and, perhaps most of all, by lively intellectual debates over the politics of literary aesthetics. Atkinson shows us a Faulkner positioned squarely, but never simply, amidst this cultural ferment. Along the way we get fresh insights into The Sound and the Fury, Light In August, Absalom, Absalom!, and The Unvanquished, along with major reinterpretations of Mosquitoes, As I Lay Dying, Sanctuary, and 'Barn Burning.' One comes away from this study with the sense that the defining crises and contradictions of the Depression brought out the very best in Faulkner, catalyzing and challenging his artistic and social vision. A vital, valuable addition to the growing body of historicist and cultural studies scholarship on Faulkner.
(Jay Watson author of Forensic Fictions: The Lawyer Figure in Faulkner)[A] significant book . . . Atkinson's study offers, on the whole, a balanced analysis and presents a thoughtful model for future studies. . . . At his best Atkinson places Faulkner firmly in the frightening and exhilarating context of our last century's history and culture. In doing so, he shows just how relevant Faulkner remains for our own time.
(Studies in American Culture)A fine contribution to historicist and cultural studies scholarship on Faulkner's work . . . Atkinson makes a convincing argument for re-evaluating Faulkner's fiction between 1927 and 1941 in the context of dominant social and political debates going on at the time. . . . Atkinson's book is a significant contribution both to Faulkner studies and to American studies more broadly. . . . Anybody interested in further understanding Faulkner, the history of the Depression, or the relationship between art and politics would find this very readable book both of interest and of value.
(Caroline Miles Mississippi Quarterly)Sheds light on [a] broader view of this major American author active in the mid 1900s by focusing on individual character, incidents, and circumstances in his novels.
(Midwest Book Review)All writers, in some fashion, reflect the generation in which they write, and, as evidenced by this book, William Faulkner was no exception.
(Spartanburg Herald-Journal) About the Author
Ted Atkinson teaches at Augusta State University in Georgia.
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2 of 2 people found the following review helpful.
political and social aspects of the Great Depression bound in Faulkner's works
By Henry Berry
In seeing the barn-burning scene in "As I Lay Dying" as representing "the impulse toward revolution" and a section of Jason's narrative in "The Sound and the Fury" as indicating capitalism standing triumphant after a period beginning about 1890 "when the expanding mercantile economy with an industrial base substantially redefined America's socioeconomic order," Atkinson discloses how Faulkner can be read as a "Depression writer who, in keeping with the times, found his own means of radical and revolutionary expression." Overall, "Faulkner gave to Depression readers an order of things in which totalizing concepts of unity, organic wholeness, and harmony exist not as achievable ends but rather as tenuous constructs" always vulnerable to the natural human desire to pursue individual liberty in multifarious ways. This reading of Faulkner is not an alternative to the generally accepted one of Faulkner as dealing mainly with the rural culture, class and personal relationships, and the psychodynamics peculiar to the latter 1800's and early 1900's South, but it expands it considerably. Rather than seen only as regional inhabitants suffering from their incapacity to accept defeat and in often half-crazed ways trying to maintain a semblance of the traditional social structure, Faulkner's Southern characters can be seen as well as representative Americans dealing with economic hardships and uncertainties of the Depression and struggling with political questions and temptations relating to an authoritarian regime, forms of socialism, and the budding new order offered by Roosevelt. Faulkner's place in the literary politics of his time, a topic often passed by in critical work to unravel the complexities of his characters and his style, is also dealt with in developing how his work reflects the conditions and mentality of his time. Atkinson--who teaches at Augusta State U. in Georgia--sheds light on this broader view of this major American author active in the mid 1900s by focusing on individual characters, incidents, and circumstances in his novels.
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