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When published in 1973, Gravity’s Rainbow expanded our sense of what the novel could be. Pynchon’s extensive references to modern science, history, and culture challenged any reader, while his prose bent the rules for narrative art and his satirical practices taunted U.S. obscenity and pornography statutes. His writing thus enacts freedom even as the book’s great theme is domination: humanity’s diminished “chances for freedom” in a global military-industrial system birthed and set on its feet in World War II. Its symbol: the V-2 rocket.
“Gravity’s Rainbow,” Domination, and Freedom broadly situates Pynchon’s novel in “long sixties” history, revealing a fiction deeply of and about its time. Herman and Weisenburger put the novel’s abiding questions about freedom in context with sixties struggles against war, restricted speech rights, ethno-racial oppression, environmental degradation, and subtle new means of social and psychological control. They show the text’s close indebtedness to critiques of domination by key postwar thinkers such as Erich Fromm, Herbert Marcuse, and Hannah Arendt. They detail equally powerful ways that sixties countercultural practices―free-speech resistance played out in courts, campuses, city streets, and raucously satirical underground presswork―provide a clearer bearing on Pynchon’s own satirical practices and their implicit criticisms.
If the System has jacketed humanity in a total domination, may not a solitary individual still assert freedom? Or has the System captured all―even supposedly immune elites―in an irremediable dominion? Reading Pynchon’s main characters and storylines, this study realizes a darker Gravity’s Rainbow than critics have been willing to see.
- Sales Rank: #3657282 in Books
- Published on: 2013-12-15
- Released on: 2013-12-15
- Original language: English
- Number of items: 1
- Dimensions: 9.02" h x .75" w x 5.98" l, 1.25 pounds
- Binding: Hardcover
- 272 pages
Review
Herman and Weisenburger bring immense erudition to their altogether fresh study of the work they rightly characterize as a ‘towering achievement.’ ‘Gravity’s Rainbow,’ Domination, and Freedom is a terrific contribution not only to Pynchon studies but also to our understanding of the cultural matrix within which this author―still America’s most important and vital novelist―invented himself and his extraordinary fictions.
(David Cowart author of Thomas Pynchon and the Dark Passages of History)Herman and Weisenburger rehistoricize and recontextualize Gravity’s Rainbow. They synthesize literary criticism, narratology, psychology, cultural history, and political analysis to produce this unprecedentedly deep and detailed understanding of the place of Pynchon’s novel in―its status and role as a document of―its time and ours. The genius of the book is that it gives us not only a vivid sense of that past but also a new and newly urgent sense of our present and possible future.
(John M. Krafft Miami University)There might be two other scholars somewhere in the world who understand Gravity’s Rainbow and its times more comprehensively or more deeply than Herman and Weisenburger, but if so, I don’t know who they are. Forty years having lapsed since the novel’s publication, we’re now finally, thanks to these two, in a position fully to grasp its historicity, the manifold ways it participates in the intellectual currents, countercultural politics, and hard-won freedoms of its era, the Long Sixties. This is a bracingly dark book about a novel that, if Weisenburger and Herman are right, is itself about as dark as it could be, for all its exhilarating wackiness. If you care anything for Pynchon and Gravity’s Rainbow, you’d better read this book.
(Brian McHale author of Postmodernist Fiction) About the Author
LUC HERMAN is a professor of English and narrative theory at the University of Antwerp. He is the coauthor of Handbook of Narrative Analysis with Bart Vervaeck and the coeditor of The Cambridge Companion to Thomas Pynchon with Inger Dalsgaard and Brian McHale. STEVEN WEISENBURGER is a professor of English and the Mossiker Chair in Humanities at Southern Methodist University. He is the author of A Gravity’s Rainbow Companion: Sources and Contexts for Pynchon’s Novel (Georgia), Fables of Subversion: Satire and the American Novel (Georgia), and Modern Medea: A Family Story of Slavery and Child-Murder from the Old South.
Most helpful customer reviews
4 of 4 people found the following review helpful.
Required Reading
By Steven Moore
I've been reading Pynchon criticism since the 1970s, and this is hands down one of the best books on him. The authors successfully show that the materials in Pynchon's war novel "take on a concrete and vivid existence if read in the context with . . . persistent questions of political life during the years Pynchon was writing 'Gravity's Rainbow'" (p. 200), such as books by Fromm, Marcuse, Brown, Fanon, and others, along with the underground press, FBI surveillance, and Supreme Court decisions. This background is necessary "to tease the politics out of scenes in 'Gravity's Rainbow' that may wrongly seem, forty years after their writing, to be merely farcical" (203). The authors' deep research into these matters shines new light on many dark corners of this novel (and in passing on his other works), and offers new reading strategies for navigating Pynchon's Zone. If your interest in GR extends beyond its surface entertainment value (which is considerable, and enough for some folks), this book is required reading.
10 of 10 people found the following review helpful.
The Best Yet
By Monte Davis
I've been reading Pynchon since 1967 and following the critical literature sporadically since the mid-1970s. There's no other single volume that ties the title's central themes to other themes in GR so clearly...
That details so well how specific events and movements of the 1960s (e.g. the Free Speech Movement and censorship trials) as well as those of 1945 found their way into the text...
Or that is, like Pynchon himself, so sympathetic to the rebels of the "Counterforce" AND so clear-eyed about their fading prospects.
From now on, this book should be the starting point for GR readers who want to dig deeper.
3 of 6 people found the following review helpful.
Emmet Brown: I'm sure that in 1985 Plutonium is available in every corner drugstore ...
By NotToto
I agree with the prior review, that this is a good jumping off point for reading GR, and also you are going to probably feel the same about this book as you are about GR. If this book interests you, then you may want to try GR, and if not, you have saved yourself a lot of reading!
D&F here argues that the book in many ways is a satire on the late 60s, and as we get further and further away from that time, will the book fade away, because not only is the setting of GR becoming more distant (1944-45) but the period it is satirizing is as well? A lot of people don't remember the 60s, including some who were there! When both the time of the book is not familiar, and the late 60's become unfamiliar, does the book itself begin to lose relevance as a satire? I think so. D&F highlights these fading connections to the 60's culture, counter culture, and upheaval.
But this book is worth ordering and reading if you are set on reading GR. It has some helpful notes about how to get through the time jumps forward and backward. Your feeling or interest towards this book will probably reflect your interest and feeling toward GR as a whole.
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