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The Nashville Sound: Bright Lights and Country Music, by Paul Hemphill
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While on a Nieman Fellowship at Harvard, journalist and novelist Paul Hemphill wrote of that pivotal moment in the late sixties when traditional defenders of the hillbilly roots of country music were confronted by the new influences and business realities of pop music. The demimonde of the traditional Nashville venues (Tootsie’s Orchid Lounge, Robert’s Western World, and the Ryman Auditorium) and first-wave artists (Roy Acuff, Ernest Tubb, and Lefty Frizzell) are shown coming into first contact, if not conflict, with a new wave of pop-influenced and business savvy country performers (Jeannie C. “Harper Valley PTA” Riley, Johnny Ryles, and Glen Campbell) and rock performers (Bob Dylan, Gram Parsons, the Byrds, and the Grateful Dead) as they took the form well beyond Music City. Originally published in 1970, The Nashville Sound shows the resulting identity crisis as a fascinating, even poignant, moment in country music and entertainment history.
- Sales Rank: #2232661 in Books
- Published on: 2015-04-15
- Released on: 2015-04-15
- Original language: English
- Number of items: 1
- Dimensions: 8.20" h x .78" w x 6.09" l, .0 pounds
- Binding: Paperback
- 296 pages
Review
The best book ever written about country music. (Chicago Sun-Times)
A first-rate book . . . that reads as smoothly and sparklingly as a bluegrass breakdown. (Christopher Lehmann-Haupt New York Times)
All these years later, the Prologue [‘Friday Night at Tootsie’s Orchid Lounge’] reads as though it happened last night. (Country Music magazine)
A rich, raw slice of American life. (Los Angeles Times)
It’s the first ‘real’ book written about our music. The people, the songs, the places, all come to life in these pages. (Bill Anderson, singer, songwriter, and Grand Ole Opry star)
To say Hemphill is writing about country music is like saying Hemingway wrote about boxers and fisherman. What Hemphill writes about is America, and he has done it here with the incisive feel and the fine sure language and that very special knack of keeping his subject alive in print that so many of us strive for but so few of us achieve. A damned fine reading experience. (Joe McGinnis Life magazine)
Anyone ever exposed to country music―which means nearly everyone―will go for the book the way Uncle Joe goes for bacon and grits. (Publishers Weekly)
A marvelously honest look at music that deals with what people―real, live truck-driving, factory-working, beer-drinking people―feel about life. (Louisville Times)
From the first words of its preface―spent submerged in the smoky haze of Tootsie’s on a rowdy Friday night thick with booze and the kinds of aspirations that Music City can both foster and crush―The Nashville Sound is nothing short of captivating and essential to understanding the genre, whatever its boundaries may have been, or will be." (Steve Haruch Chapter 16)
About the Author
PAUL HEMPHILL (1936–2009) was born in Birmingham, Alabama, and attended Auburn and Harvard Universities. In addition to long work as a sportswriter and columnist at the Atlanta Journal, he was the author of several collections of journalism, novels, and memoirs, including, among others, Too Old to Cry, King of the Road, and Leaving Birmingham: Notes of a Native Son. Hemphill returned to country music in 2005 with Lovesick Blues: The Life of Hank Williams. Hemphill served on the faculties of Emory University, Brenau University, and the University of Georgia, where he taught writing. DON CUSIC is a historian of country music and a professor of music business at the Mike Curb College of Entertainment and Music Business at Belmont University. His many books include Saved by Song: A History of Gospel and Christian Music and The Cowboy in Country Music: An Historical Survey with Artist Profiles.
Most helpful customer reviews
0 of 2 people found the following review helpful.
I recommend this book to any and all who like the old style country music
By Kindle Customer
The Nashville Sound by Paul Hemphill, was received from the publisher in exchange for this review. First and foremost, the book was written 45 years ago. The re-release has a updated Foreword and some reviews from the more modern era. Having been born and raised on country music but having been a heavy metal fan since my first KISS cassette in 1978ish, I actually knew a lot of the names in the book and had heard many of them, this book kind of picked up where I had left off. I am moving to the Nashville area in the next three to five years so I wanted to get familiar with the town, and this book was one way to do that, to get “grounded” in country music. The closest I have come to actually country music since the 1970’s was meeting Hank Williams grandson, Hank III, who has his own thoughts on the genre. Anyway I liked the book, the writer was a good writer and I recommend this book to any and all who like the old style country music. The new stuff, I am clueless about.
0 of 5 people found the following review helpful.
Sorry for the purchase
By Joan C. Curtis
Shouldn't have bought this book. It is all old history...
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