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The Dance Boots: Stories (Flannery O'Connor Award for Short Fiction Ser.), by Linda Grover
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In this stirring collection of linked stories, Linda LeGarde Grover portrays an Ojibwe community struggling to follow traditional ways of life in the face of a relentlessly changing world.
In the title story an aunt recounts the harsh legacy of Indian boarding schools that tried to break the indigenous culture. In doing so she passes on to her niece the Ojibwe tradition of honoring elders through their stories. In “Refugees Living and Dying in the West End of Duluth,” this same niece comes of age in the 1970s against the backdrop of her forcibly dispersed family. A cycle of boarding schools, alcoholism, and violence haunts these stories even as the characters find beauty and solace in their large extended families.
With its attention to the Ojibwe language, customs, and history, this unique collection of riveting stories illuminates the very nature of storytelling. The Dance Boots narrates a century’s evolution of Native Americans making choices and compromises, often dictated by a white majority, as they try to balance survival, tribal traditions, and obligations to future generations.
- Sales Rank: #395306 in Books
- Published on: 2012-04-01
- Released on: 2012-04-01
- Original language: English
- Number of items: 1
- Dimensions: 8.50" h x .40" w x 5.50" l, .50 pounds
- Binding: Paperback
- 152 pages
From Publishers Weekly
Winner of this year's Flannery O'Connor Award for Short Fiction, Grover's stories work back in time to retrace the rupturing experience of Western schooling on the Ojibwe tribes in Minnesota during the early 20th century. In the title story, narrator Artense's beloved Aunt Shirley is dying of lung cancer as she recounts "the breaking of a culture through the education of its young." In addition to the history, Artense, the oldest child and the first high school graduate, is given Shirley's cherished dancing boots. The intergenerational key is grandma Maggie, who, in "Maggie and Louis," is educated at a mission school and meets her future husband while working as a teacher's assistant at the forbidding Harrod boarding school, which Indian children, taken from their reservations, are forced to attend. Later, in "Three Seasons," Maggie, now a worn-out mother and wife, leaves her drunken and abusive husband and takes her children to live with her alcoholic sister. Even in escape, Maggie has a harsh road ahead, and it's her generous spirit that permeates the stories of the later generations and lends this collection a bright and determined vitality.
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From Booklist
In linked stories, Grover portrays the inhabitants of an imaginary Ojibwe reservation north of Duluth, Minnesota. While Artense, the narrator, attends community college and goes on to graduate school, her aunt Shirley, who lives in Duluth, calls her every couple of weeks to tell her family stories, which Artense passes on to us. Shirley’s multigenerational tale involves Indian boarding schools, homesickness, and racism. Readers also meet Grandma Maggie, who hits her husband with a frying pan, then takes off with her two youngest boys because her three oldest are already at the Indian school; Louis, Maggie’s first husband, whom she meets at the Harrod Indian School; and Sonny and Mickey, who repeatedly escape from Harrod. Before Shirley dies, she gives Artense her suede beaded dancing boots, and Grover writes lyrically of the first time Artense wears them to a powwow, while watching her own daughters join the line of dancing grandmothers, aunts, and cousins. Grover’s collection, for which she won the Flannery O’Connor Award for Short Fiction, is simply mesmerizing. --Deborah Donovan
Review
Simply mesmerizing.
(Booklist)Linda LeGarde Grover knows how to end a story―and manages to achieve both circularity and closure in each and every one. This is an impressive feat in and of itself, but for a collection of linked stories like The Dance Boots, which twist and tie and loop back on one another, the achievement is even more remarkable.
(ForeWord Reviews)A bright and determined vitality.
(Publishers Weekly)With stunning sentences and other stylistic elements reminiscent of Hemingway, Wolfe, Tan and others, this collection dazzles with its complex characters, rustic settings, and authentic situations.
(Dark Sky magazine)The powerful Ojibwe women in Linda LeGarde Grover’s Dance Boots tell stories in 'the rhythm and pattern of repeating and echoing, re-echoing and returning,' the pattern that keeps them strong. They need to be strong in the face of a terrible monster, one no less ferocious than those in Ojibwe traditional tales, one that steals children and returns them altered, alien, broken: the boarding schools. These are stories of survival as well, and as we follow the rhythm of her narrative we find ourselves joining the dance of a culture resurgent, a dance that returns lost children, that begins to heal a world.
(Heid E. Erdrich Author of National Monuments)Grover’s sense of character and setting in these stories is so immediate, so vital. She has put the Mozhay Point Indian Reservation on the literary map.
(Geary Hobson Author of The Last of the Ofos)Grover neither sentimentalizes nor victimizes indigenous people but rather shows them as the complex humans they are.
(Minnesota Reads)In eight beautifully crafted Ojibwe stories, Grover’s characters, members of the LaForce family, learn to survive Indian boarding school, a brutal marriage, and even how to set pins in a bowling alley all the while taking care to remember the ancestors and the road home. Whether home is the mythic Mozhay Point Indian Reservation, a clapboard house, or a horse paradise of woods near Duluth, Minnesota, Grover’s The Dance Boots is an Ojibwe jingle dance that bounced me off the page, and back on again. A wonderful read!
(LeAnne Howe Author of Shell Shaker and Miko Kings: An Indian Baseball Story)Through her first-person stories, told in the voices of Ojibwe men or women, Grover leads readers to better understand what they have never experienced. (Indian Country Today)
Most helpful customer reviews
5 of 5 people found the following review helpful.
I bid for a pair of boots on e-bay
By Laurel A. Lawrence
This seems to be a series of short stories collected in short fiction book.
Characters are memorable but names are forgettable and a sad tale, indeed.
Ojibwes and the story of being taken from their homes as children are only
a minor part of story but is a very powerful element in Grover's novel
about modern times in north country. It is already a winner of awards for
short fiction and will be sure to be discussed by many in the manner of
HOSTILES AND FRIENDLIES for years to come. This book is very good as it had
the ring of truth and covered living and dying, and not just in Duluth.
I highly recommend it.
4 of 4 people found the following review helpful.
The Dance Boots
By Janie B.
Linda LeGarde Grover does a wonderful job of tying Native American history and culture into a snapshot of the circle of life. This collection of short stories can be read cover to cover as a novel, or a story at a time. The cover itself is beautiful, and the stories inside are just as alluring. Loved the book.
2 of 2 people found the following review helpful.
Essential American Reading
By Richie Swanson
The Dance Boots and Grover’s novel, The Road Back to Sweetgrass, are relatively unknown, but I give them my Nobel Prize for Literature. When I came of age, I didn’t understand why I could have been drafted for the Vietnam War, or what it meant. When I read Tim O’Brien’s Going after Cacciato and The Things They Carries, and Robert Butler’s Alleys of Eden and A Good Scent from a Strange Mountain, I understood what so many people went through in Vietnam. Later, when I traveled extensively through the American southwest, I couldn’t understand what it meant and how it was to live as an Indian on a reservation. Leslie Silk’s Ceremony and Storyteller opened the world to me. Grover’s story collection and novel did the same for me—they speak the heart of North America’s history since the time of European settlement. –Richie Swanson
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